American Notes
|
|||||
|
Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 Next page rows of small iron doors. They look like furnace-doors, but are cold and black, as though the fires within had all gone out. Some two or three are open, and women, with drooping heads bent down, are talking to the inmates. The whole is lighted by a skylight, but it is fast closed; and from the roof there dangle, limp and drooping, two useless windsails. A man with keys appears, to show us round. A good-looking fellow, and, in his way, civil and obliging. 'Are those black doors the cells?' 'Yes.' 'Are they all full?' 'Well, they're pretty nigh full, and that's a fact, and no two ways about it.' 'Those at the bottom are unwholesome, surely?' 'Why, we DO only put coloured people in 'em. That's the truth.' 'When do the prisoners take exercise?' 'Well, they do without it pretty much.' 'Do they never walk in the yard?' 'Considerable seldom.' 'Sometimes, I suppose?' 'Well, it's rare they do. They keep pretty bright without it.' 'But suppose a man were here for a twelvemonth. I know this is only a prison for criminals who are charged with grave offences, while they are awaiting their trial, or under remand, but the law here affords criminals many means of delay. What with motions for new trials, and in arrest of judgment, and what not, a prisoner might be here for twelve months, I take it, might he not?' 'Well, I guess he might.' 'Do you mean to say that in all that time he would never come out at that little iron door, for exercise?' 'He might walk some, perhaps - not much.' 'Will you open one of the doors?' 'All, if you like.' The fastenings jar and rattle, and one of the doors turns slowly on its hinges. Let us look in. A small bare cell, into which the light enters through a high chink in the wall. There is a rude means of washing, a table, and a bedstead. Upon the latter, sits a man of sixty; reading. He looks up for a moment; gives an impatient dogged shake; and fixes his eyes upon his book again. As we withdraw our heads, the door closes on him, and is fastened as before. This man has murdered his wife, and will probably be hanged. 'How long has he been here?' 'A month.' 'When will he be tried?' 'Next term.' 'When is that?' 'Next month.' 'In England, if a man be under sentence of death, even he has air and exercise at certain periods of the day.' 'Possible?' With what stupendous and untranslatable coolness he says this, and how loungingly he leads on to the women's side: making, as he goes, a kind of iron castanet of the key and the stair-rail! Each cell door on this side has a square aperture in it. Some of the women peep anxiously through it at the sound of footsteps; others shrink away in shame. - For what offence can that lonely child, of ten or twelve years old, be shut up here? Oh! that boy? He is the son of the prisoner we saw just now; is a witness against his father; and is detained here for safe keeping, until the trial; that's all. But it is a dreadful place for the child to pass the long days and nights in. This is rather hard treatment for a young witness, is it not? - What says our conductor? 'Well, it an't a very rowdy life, and THAT'S a fact!' Again he clinks his metal castanet, and leads us leisurely away. I have a question to ask him as we go. 'Pray, why do they call this place The Tombs?' 'Well, it's the cant name.' 'I know it is. Why?' 'Some suicides happened here, when it was first built. I expect it come about from that.' 'I saw just now, that that man's clothes were scattered about the floor of his cell. Don't you oblige the prisoners to be orderly, and put such things away?' 'Where should they put 'em?' 'Not on the ground surely. What do you say to hanging them up?' He stops and looks round to emphasise his answer: 'Why, I say that's just it. When they had hooks they WOULD hang themselves, so they're taken out of every cell, and there's only the marks left where they used to be!' The prison-yard in which he pauses now, has been the scene of terrible performances. Into this narrow, grave-like place, men are brought out to die. The wretched creature stands beneath the gibbet on the ground; the rope about his neck; and when the sign is given, a weight at its other end comes running down, and swings him up into the air - a corpse. The law requires that there be present at this dismal spectacle, the judge, the jury, and citizens to the amount of twenty-five. From the community it is hidden. To the dissolute and bad, the thing remains a frightful mystery. Between the criminal and them, the prison-wall is interposed as a thick gloomy veil. It is the curtain to his bed of death, his winding-sheet, and grave. From him it shuts out life, and all the motives to unrepenting hardihood in that last hour, which its mere sight and presence is often all- sufficient to sustain. There are no bold eyes to make him bold; no ruffians to uphold a ruffian's name before. All beyond the pitiless stone wall, is unknown space. Let us go forth again into the cheerful streets. Once more in Broadway! Here are the same ladies in bright colours, walking to and fro, in pairs and singly; yonder the very same light blue parasol which passed and repassed the hotel-window twenty times while we were sitting there. We are going to cross here. Take care of the pigs. Two portly sows are trotting up behind this carriage, and a select party of half-a-dozen gentlemen hogs have just now turned the corner. Here is a solitary swine lounging homeward by himself. He has only one ear; having parted with the other to vagrant-dogs in the course of his city rambles. But he gets on very well without it; and leads a roving, gentlemanly, vagabond kind of life, somewhat answering to that of our club-men at home. He leaves his lodgings every morning at a certain hour, throws himself upon the town, gets through his day in some manner quite satisfactory to himself, and regularly appears at the door of his own house again at night, like the mysterious master of Gil Blas. He is a free-and-easy, careless, indifferent kind of pig, having a very large acquaintance among other pigs of the same character, whom he rather knows by sight than conversation, as he seldom troubles himself to stop and exchange civilities, but goes grunting down the kennel, turning up the news and small-talk of the city in the shape of cabbage-stalks and offal, and bearing no tails but his own: which is a very short one, for his old enemies, the dogs, have been at that too, and have left him hardly enough to swear by. He is in every respect a republican pig, going wherever he pleases, and mingling with the best society, on an equal, if not superior footing, for every one makes way when he appears, and the haughtiest give him the wall, if he prefer it. He is a great philosopher, and seldom moved, unless by the dogs before mentioned. Sometimes, indeed, you may see his small eye twinkling on a slaughtered friend, whose carcase garnishes a butcher's door-post, but he grunts out 'Such is life: all flesh is pork!' buries his nose in the mire again, and waddles down the gutter: comforting himself with the reflection that there is one snout the less to anticipate stray cabbage-stalks, at any rate. They are the city scavengers, these pigs. Ugly brutes they are; having, for the most part, scanty brown backs, like the lids of old horsehair trunks: spotted with unwholesome black blotches. They have long, gaunt legs, too, and such peaked snouts, that if one of them could be persuaded to sit for his profile, nobody would recognise it for a pig's likeness. They are never attended upon, or fed, or driven, or caught, but are thrown upon their own resources in early life, and become preternaturally knowing in consequence. Every pig knows where he lives, much better than anybody could tell him. At this hour, just as evening is closing in, you will see them roaming towards bed by scores, eating their way to the last. Occasionally, some youth among them who has over- eaten himself, or has been worried by dogs, trots shrinkingly homeward, like a prodigal son: but this is a rare case: perfect self-possession and self-reliance, and immovable composure, being their foremost attributes. The streets and shops are lighted now; and as the eye travels down |
|||||
|