A Tale Of Two Cities

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Book by Charles Dickens - A Tale Of Two Cities, page 9

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bread and meat, wine, and hot coffee. Monsieur Defarge put this
provender, and the lamp he carried, on the shoemaker's bench (there
was nothing else in the garret but a pallet bed), and he and
Mr. Lorry roused the captive, and assisted him to his feet.
No human intelligence could have read the mysteries of his mind, in
the scared blank wonder of his face. Whether he knew what had
happened, whether he recollected what they had said to him, whether
he knew that he was free, were questions which no sagacity could have
solved. They tried speaking to him; but, he was so confused, and so
very slow to answer, that they took fright at his bewilderment, and
agreed for the time to tamper with him no more. He had a wild, lost
manner of occasionally clasping his head in his hands, that had not
been seen in him before; yet, he had some pleasure in the mere sound
of his daughter's voice, and invariably turned to it when she spoke.
In the submissive way of one long accustomed to obey under coercion,
he ate and drank what they gave him to eat and drink, and put on the
cloak and other wrappings, that they gave him to wear. He readily
responded to his daughter's drawing her arm through his, and
took--and kept--her hand in both his own.
They began to descend; Monsieur Defarge going first with the lamp,
Mr. Lorry closing the little procession. They had not traversed many
steps of the long main staircase when he stopped, and stared at the
roof and round at the wails.
"You remember the place, my father? You remember coming up here?"
"What did you say?"
But, before she could repeat the question, he murmured an answer as
if she had repeated it.
"Remember? No, I don't remember. It was so very long ago."
That he had no recollection whatever of his having been brought from
his prison to that house, was apparent to them. They heard him mutter,
"One Hundred and Five, North Tower;" and when he looked about him, it
evidently was for the strong fortress-walls which had long encompassed him.
On their reaching the courtyard he instinctively altered his tread,
as being in expectation of a drawbridge; and when there was no
drawbridge, and he saw the carriage waiting in the open street, he
dropped his daughter's hand and clasped his head again.
No crowd was about the door; no people were discernible at any of the
many windows; not even a chance passerby was in the street. An unnatural
silence and desertion reigned there. Only one soul was to be seen,
and that was Madame Defarge--who leaned against the door-post,
knitting, and saw nothing.
The prisoner had got into a coach, and his daughter had followed him,
when Mr. Lorry's feet were arrested on the step by his asking,
miserably, for his shoemaking tools and the unfinished shoes. Madame
Defarge immediately called to her husband that she would get them,
and went, knitting, out of the lamplight, through the courtyard. She
quickly brought them down and handed them in;--and immediately
afterwards leaned against the door-post, knitting, and saw nothing.
Defarge got upon the box, and gave the word "To the Barrier!"
The postilion cracked his whip, and they clattered away under
the feeble over-swinging lamps.
Under the over-swinging lamps--swinging ever brighter in the better
streets, and ever dimmer in the worse--and by lighted shops, gay
crowds, illuminated coffee-houses, and theatre-doors, to one of the
city gates. Soldiers with lanterns, at the guard-house there.
"Your papers, travellers!" "See here then, Monsieur the Officer,"
said Defarge, getting down, and taking him gravely apart, "these are
the papers of monsieur inside, with the white head. They were
consigned to me, with him, at the--" He dropped his voice, there was
a flutter among the military lanterns, and one of them being handed
into the coach by an arm in uniform, the eyes connected with the arm
looked, not an every day or an every night look, at monsieur with the
white head. "It is well. Forward!" from the uniform. "Adieu!" from
Defarge. And so, under a short grove of feebler and feebler
over-swinging lamps, out under the great grove of stars.
Beneath that arch of unmoved and eternal lights; some, so remote from
this little earth that the learned tell us it is doubtful whether
their rays have even yet discovered it, as a point in space where
anything is suffered or done: the shadows of the night were broad and
black. All through the cold and restless interval, until dawn, they
once more whispered in the ears of Mr. Jarvis Lorry--sitting opposite
the buried man who had been dug out, and wondering what subtle powers
were for ever lost to him, and what were capable of restoration--the
old inquiry:
"I hope you care to be recalled to life?"
And the old answer:
"I can't say."


The end of the first book.




Book the Second -- the Golden Thread

I
Five Years Later

Tellson's Bank by Temple Bar was an old-fashioned place, even in the
year one thousand seven hundred and eighty. It was very small, very
dark, very ugly, very incommodious. It was an old-fashioned place,
moreover, in the moral attribute that the partners in the House were
proud of its smallness, proud of its darkness, proud of its ugliness,
proud of its incommodiousness. They were even boastful of its
eminence in those particulars, and were fired by an express conviction
that, if it were less objectionable, it would be less respectable.
This was no passive belief, but an active weapon which they flashed
at more convenient places of business. Tellson's (they said) wanted
no elbow-room, Tellson's wanted no light, Tellson's wanted no
embellishment. Noakes and Co.'s might, or Snooks Brothers' might;
but Tellson's, thank Heaven!--
Any one of these partners would have disinherited his son on the
question of rebuilding Tellson's. In this respect the House was much
on a par with the Country; which did very often disinherit its sons
for suggesting improvements in laws and customs that had long been
highly objectionable, but were only the more respectable.
Thus it had come to pass, that Tellson's was the triumphant
perfection of inconvenience. After bursting open a door of idiotic
obstinacy with a weak rattle in its throat, you fell into Tellson's
down two steps, and came to your senses in a miserable little shop,
with two little counters, where the oldest of men made your cheque
shake as if the wind rustled it, while they examined the signature by
the dingiest of windows, which were always under a shower-bath of mud
from Fleet-street, and which were made the dingier by their own iron
bars proper, and the heavy shadow of Temple Bar. If your business
necessitated your seeing "the House," you were put into a species of
Condemned Hold at the back, where you meditated on a misspent life,
until the House came with its bands in its pockets, and you could
hardly blink at it in the dismal twilight. Your money came out of,
or went into, wormy old wooden drawers, particles of which flew up
your nose and down your throat when they were opened and shut. Your
bank-notes had a musty odour, as if they were fast decomposing into
rags again. Your plate was stowed away among the neighbouring
cesspools, and evil communications corrupted its good polish in a day
or two. Your deeds got into extemporised strong-rooms made of
kitchens and sculleries, and fretted all the fat out of their
parchments into the banking-house air. Your lighter boxes of family
papers went up-stairs into a Barmecide room, that always had a great
dining-table in it and never had a dinner, and where, even in the
year one thousand seven hundred and eighty, the first letters written
to you by your old love, or by your little children, were but newly
released from the horror of being ogled through the windows, by the
heads exposed on Temple Bar with an insensate brutality and ferocity
worthy of Abyssinia or Ashantee.
But indeed, at that time, putting to death was a recipe much in vogue
with all trades and professions, and not least of all with Tellson's.
Death is Nature's remedy for all things, and why not Legislation's?
Accordingly, the forger was put to Death; the utterer of a bad note
was put to Death; the unlawful opener of a letter was put to Death;
the purloiner of forty shillings and sixpence was put to Death; the
holder of a horse at Tellson's door, who made off with it, was put to
Death; the coiner of a bad shilling was put to Death; the sounders of
three-fourths of the notes in the whole gamut of Crime, were put to
Death. Not that it did the least good in the way of prevention--it
might almost have been worth remarking that the fact was exactly the
reverse--but, it cleared off (as to this world) the trouble of each
particular case, and left nothing else connected with it to be looked
after. Thus, Tellson's, in its day, like greater places of business,
its contemporaries, had taken so many lives, that, if the heads laid
low before it had been ranged on Temple Bar instead of being
privately disposed of, they would probably have excluded what little
light the ground floor bad, in a rather significant manner.
Cramped in all kinds of dun cupboards and hutches at Tellson's, the
oldest of men carried on the business gravely. When they took a
young man into Tellson's London house, they hid him somewhere till he
was old. They kept him in a dark place, like a cheese, until he had
the full Tellson flavour and blue-mould upon him. Then only was he
permitted to be seen, spectacularly poring over large books, and
casting his breeches and gaiters into the general weight of the
establishment.
Outside Tellson's--never by any means in it, unless called in--was an
odd-job-man, an occasional porter and messenger, who served as the
live sign of the house. He was never absent during business hours,
unless upon an errand, and then he was represented by his son: a
grisly urchin of twelve, who was his express image. People
understood that Tellson's, in a stately way, tolerated the
odd-job-man. The house had always tolerated some person in that
capacity, and time and tide had drifted this person to the post. His
surname was Cruncher, and on the youthful occasion of his renouncing
by proxy the works of darkness, in the easterly parish church of
Hounsditch, he had received the added appellation of Jerry.
The scene was Mr. Cruncher's private lodging in Hanging-sword-alley,
Whitefriars: the time, half-past seven of the clock on a windy March
morning, Anno Domini seventeen hundred and eighty. (Mr. Cruncher
himself always spoke of the year of our Lord as Anna Dominoes:
apparently under the impression that the Christian era dated from the
invention of a popular game, by a lady who had bestowed her name upon it.)
Mr. Cruncher's apartments were not in a savoury neighbourhood, and
were but two in number, even if a closet with a single pane of glass
in it might be counted as one. But they were very decently kept.
Early as it was, on the windy March morning, the room in which he lay
abed was already scrubbed throughout; and between the cups and
saucers arranged for breakfast, and the lumbering deal table, a very
clean white cloth was spread.
Mr. Cruncher reposed under a patchwork counterpane, like a Harlequin
at home. At fast, he slept heavily, but, by degrees, began to roll
and surge in bed, until he rose above the surface, with his spiky
hair looking as if it must tear the sheets to ribbons. At which
juncture, he exclaimed, in a voice of dire exasperation:
"Bust me, if she ain't at it agin!"
A woman of orderly and industrious appearance rose from her knees in
a corner, with sufficient haste and trepidation to show that she was
the person referred to.
"What!" said Mr. Cruncher, looking out of bed for a boot. "You're at
it agin, are you?"
After hailing the mom with this second salutation, he threw a boot at
the woman as a third. It was a very muddy boot, and may introduce
the odd circumstance connected with Mr. Cruncher's domestic economy,
that, whereas he often came home after banking hours with clean

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