Dombey and Son

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Book by Charles Dickens - Dombey and Son, page 28

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Mrs Wickam shook her left fore-finger stealthily towards the bed
where Florence lay; then turned it upside down, and made several
emphatic points at the floor; immediately below which was the parlour
in which Mrs Pipchin habitually consumed the toast.

'Remember my words, Miss Berry,' said Mrs Wickam, 'and be thankful
that Master Paul is not too fond of you. I am, that he's not too fond
of me, I assure you; though there isn't much to live for - you'll
excuse my being so free - in this jail of a house!'

Miss Berry's emotion might have led to her patting Paul too hard on
the back, or might have produced a cessation of that soothing
monotony, but he turned in his bed just now, and, presently awaking,
sat up in it with his hair hot and wet from the effects of some
childish dream, and asked for Florence.

She was out of her own bed at the first sound of his voice; and
bending over his pillow immediately, sang him to sleep again. Mrs
Wickam shaking her head, and letting fall several tears, pointed out
the little group to Berry, and turned her eyes up to the ceiling.

'He's asleep now, my dear,' said Mrs Wickam after a pause, 'you'd
better go to bed again. Don't you feel cold?'

'No, nurse,' said Florence, laughing. 'Not at all.'

'Ah!' sighed Mrs Wickam, and she shook her head again, expressing
to the watchful Berry, 'we shall be cold enough, some of us, by and
by!'

Berry took the frugal supper-tray, with which Mrs Wickam had by
this time done, and bade her good-night.

'Good-night, Miss!' returned Wickam softly. 'Good-night! Your aunt
is an old lady, Miss Berry, and it's what you must have looked for,
often.'

This consolatory farewell, Mrs Wickam accompanied with a look of
heartfelt anguish; and being left alone with the two children again,
and becoming conscious that the wind was blowing mournfully, she
indulged in melancholy - that cheapest and most accessible of luxuries
- until she was overpowered by slumber.

Although the niece of Mrs Pipchin did not expect to find that
exemplary dragon prostrate on the hearth-rug when she went downstairs,
she was relieved to find her unusually fractious and severe, and with
every present appearance of intending to live a long time to be a
comfort to all who knew her. Nor had she any symptoms of declining, in
the course of the ensuing week, when the constitutional viands still
continued to disappear in regular succession, notwithstanding that
Paul studied her as attentively as ever, and occupied his usual seat
between the black skirts and the fender, with unwavering constancy.

But as Paul himself was no stronger at the expiration of that time
than he had been on his first arrival, though he looked much healthier
in the face, a little carriage was got for him, in which he could lie
at his ease, with an alphabet and other elementary works of reference,
and be wheeled down to the sea-side. Consistent in his odd tastes, the
child set aside a ruddy-faced lad who was proposed as the drawer of
this carriage, and selected, instead, his grandfather - a weazen, old,
crab-faced man, in a suit of battered oilskin, who had got tough and
stringy from long pickling in salt water, and who smelt like a weedy
sea-beach when the tide is out.

With this notable attendant to pull him along, and Florence always
walking by his side, and the despondent Wickam bringing up the rear,
he went down to the margin of the ocean every day; and there he would
sit or lie in his carriage for hours together: never so distressed as
by the company of children - Florence alone excepted, always.

'Go away, if you please,' he would say to any child who came to
bear him company. Thank you, but I don't want you.'

Some small voice, near his ear, would ask him how he was, perhaps.

'I am very well, I thank you,' he would answer. 'But you had better
go and play, if you please.'

Then he would turn his head, and watch the child away, and say to
Florence, 'We don't want any others, do we? Kiss me, Floy.'

He had even a dislike, at such times, to the company of Wickam, and
was well pleased when she strolled away, as she generally did, to pick
up shells and acquaintances. His favourite spot was quite a lonely
one, far away from most loungers; and with Florence sitting by his
side at work, or reading to him, or talking to him, and the wind
blowing on his face, and the water coming up among the wheels of his
bed, he wanted nothing more.

'Floy,' he said one day, 'where's India, where that boy's friends
live?'

'Oh, it's a long, long distance off,' said Florence, raising her
eyes from her work.

'Weeks off?' asked Paul.

'Yes dear. Many weeks' journey, night and day.'

'If you were in India, Floy,' said Paul, after being silent for a
minute, 'I should - what is it that Mama did? I forget.'

'Loved me!' answered Florence.

'No, no. Don't I love you now, Floy? What is it? - Died. in you
were in India, I should die, Floy.'

She hurriedly put her work aside, and laid her head down on his
pillow, caressing him. And so would she, she said, if he were there.
He would be better soon.

'Oh! I am a great deal better now!' he answered. 'I don't mean
that. I mean that I should die of being so sorry and so lonely, Floy!'

Another time, in the same place, he fell asleep, and slept quietly
for a long time. Awaking suddenly, he listened, started up, and sat
listening.

Florence asked him what he thought he heard.

'I want to know what it says,' he answered, looking steadily in her
face. 'The sea' Floy, what is it that it keeps on saying?'

She told him that it was only the noise of the rolling waves.

'Yes, yes,' he said. 'But I know that they are always saying
something. Always the same thing. What place is over there?' He rose
up, looking eagerly at the horizon.

She told him that there was another country opposite, but he said
he didn't mean that: he meant further away - farther away!

Very often afterwards, in the midst of their talk, he would break
off, to try to understand what it was that the waves were always
saying; and would rise up in his couch to look towards that invisible
region, far away.

CHAPTER 9.

In which the Wooden Midshipman gets into Trouble

That spice of romance and love of the marvellous, of which there
was a pretty strong infusion in the nature of young Walter Gay, and
which the guardianship of his Uncle, old Solomon Gills, had not very
much weakened by the waters of stern practical experience, was the
occasion of his attaching an uncommon and delightful interest to the
adventure of Florence with Good Mrs Brown. He pampered and cherished
it in his memory, especially that part of it with which he had been
associated: until it became the spoiled child of his fancy, and took
its own way, and did what it liked with it.

The recollection of those incidents, and his own share in them, may
have been made the more captivating, perhaps, by the weekly dreamings
of old Sol and Captain Cuttle on Sundays. Hardly a Sunday passed,
without mysterious references being made by one or other of those
worthy chums to Richard Whittington; and the latter gentleman had even
gone so far as to purchase a ballad of considerable antiquity, that
had long fluttered among many others, chiefly expressive of maritime
sentiments, on a dead wall in the Commercial Road: which poetical
performance set forth the courtship and nuptials of a promising young
coal-whipper with a certain 'lovely Peg,' the accomplished daughter of
the master and part-owner of a Newcastle collier. In this stirring
legend, Captain Cuttle descried a profound metaphysical bearing on the
case of Walter and Florence; and it excited him so much, that on very
festive occasions, as birthdays and a few other non-Dominical
holidays, he would roar through the whole song in the little back
parlour; making an amazing shake on the word Pe-e-eg, with which every
verse concluded, in compliment to the heroine of the piece.

But a frank, free-spirited, open-hearted boy, is not much given to
analysing the nature of his own feelings, however strong their hold
upon him: and Walter would have found it difficult to decide this
point. He had a great affection for the wharf where he had encountered
Florence, and for the streets (albeit not enchanting in themselves) by
which they had come home. The shoes that had so often tumbled off by
the way, he preserved in his own room; and, sitting in the little back
parlour of an evening, he had drawn a whole gallery of fancy portraits
of Good Mrs Brown. It may be that he became a little smarter in his
dress after that memorable occasion; and he certainly liked in his
leisure time to walk towards that quarter of the town where Mr
Dombey's house was situated, on the vague chance of passing little
Florence in the street. But the sentiment of all this was as boyish
and innocent as could be. Florence was very pretty, and it is pleasant
to admire a pretty face. Florence was defenceless and weak, and it was
a proud thought that he had been able to render her any protection and
assistance. Florence was the most grateful little creature in the
world, and it was delightful to see her bright gratitude beaming in
her face. Florence was neglected and coldly looked upon, and his
breast was full of youthful interest for the slighted child in her
dull, stately home.

Thus it came about that, perhaps some half-a-dozen times in the
course of the year, Walter pulled off his hat to Florence in the
street, and Florence would stop to shake hands. Mrs Wickam (who, with
a characteristic alteration of his name, invariably spoke of him as
'Young Graves') was so well used to this, knowing the story of their
acquaintance, that she took no heed of it at all. Miss Nipper, on the
other hand, rather looked out for these occasions: her sensitive young
heart being secretly propitiated by Walter's good looks, and inclining
to the belief that its sentiments were responded to.



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   Wednesday 19 November, 2008