Master Humphrey s Clock

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Book by Charles Dickens - Master Humphrey s Clock, page 6

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broke forth which rent the air. The attendant rushing through the
gate proclaimed that his master, a nobleman, had been set upon and
slain by a citizen; the word quickly spread from mouth to mouth;
Saint Paul's Cathedral, and every book-shop, ordinary, and smoking-
house in the churchyard poured out its stream of cavaliers and
their followers, who mingling together in a dense tumultuous body,
struggled, sword in hand, towards the spot.

With equal impetuosity, and stimulating each other by loud cries
and shouts, the citizens and common people took up the quarrel on
their side, and encircling Master Graham a hundred deep, forced him
from the gate. In vain he waved the broken sword above his head,
crying that he would die on London's threshold for their sacred
homes. They bore him on, and ever keeping him in the midst, so
that no man could attack him, fought their way into the city.

The clash of swords and roar of voices, the dust and heat and
pressure, the trampling under foot of men, the distracted looks and
shrieks of women at the windows above as they recognised their
relatives or lovers in the crowd, the rapid tolling of alarm-bells,
the furious rage and passion of the scene, were fearful. Those
who, being on the outskirts of each crowd, could use their weapons
with effect, fought desperately, while those behind, maddened with
baffled rage, struck at each other over the heads of those before
them, and crushed their own fellows. Wherever the broken sword was
seen above the people's heads, towards that spot the cavaliers made
a new rush. Every one of these charges was marked by sudden gaps
in the throng where men were trodden down, but as fast as they were
made, the tide swept over them, and still the multitude pressed on
again, a confused mass of swords, clubs, staves, broken plumes,
fragments of rich cloaks and doublets, and angry, bleeding faces,
all mixed up together in inextricable disorder.

The design of the people was to force Master Graham to take refuge
in his dwelling, and to defend it until the authorities could
interfere, or they could gain time for parley. But either from
ignorance or in the confusion of the moment they stopped at his old
house, which was closely shut. Some time was lost in beating the
doors open and passing him to the front. About a score of the
boldest of the other party threw themselves into the torrent while
this was being done, and reaching the door at the same moment with
himself cut him off from his defenders.

'I never will turn in such a righteous cause, so help me Heaven!'
cried Graham, in a voice that at last made itself heard, and
confronting them as he spoke. 'Least of all will I turn upon this
threshold which owes its desolation to such men as ye. I give no
quarter, and I will have none! Strike!'

For a moment they stood at bay. At that moment a shot from an
unseen hand, apparently fired by some person who had gained access
to one of the opposite houses, struck Graham in the brain, and he
fell dead. A low wail was heard in the air, - many people in the
concourse cried that they had seen a spirit glide across the little
casement window of the Bowyer's house -

A dead silence succeeded. After a short time some of the flushed
and heated throng laid down their arms and softly carried the body
within doors. Others fell off or slunk away in knots of two or
three, others whispered together in groups, and before a numerous
guard which then rode up could muster in the street, it was nearly
empty.

Those who carried Master Graham to the bed up-stairs were shocked
to see a woman lying beneath the window with her hands clasped
together. After trying to recover her in vain, they laid her near
the citizen, who still retained, tightly grasped in his right hand,
the first and last sword that was broken that day at Lud Gate.

The Giant uttered these concluding words with sudden precipitation;
and on the instant the strange light which had filled the hall
faded away. Joe Toddyhigh glanced involuntarily at the eastern
window, and saw the first pale gleam of morning. He turned his
head again towards the other window in which the Giants had been
seated. It was empty. The cask of wine was gone, and he could
dimly make out that the two great figures stood mute and motionless
upon their pedestals.

After rubbing his eyes and wondering for full half an hour, during
which time he observed morning come creeping on apace, he yielded
to the drowsiness which overpowered him and fell into a refreshing
slumber. When he awoke it was broad day; the building was open,
and workmen were busily engaged in removing the vestiges of last
night's feast.

Stealing gently down the little stairs, and assuming the air of
some early lounger who had dropped in from the street, he walked up
to the foot of each pedestal in turn, and attentively examined the
figure it supported. There could be no doubt about the features of
either; he recollected the exact expression they had worn at
different passages of their conversation, and recognised in every
line and lineament the Giants of the night. Assured that it was no
vision, but that he had heard and seen with his own proper senses,
he walked forth, determining at all hazards to conceal himself in
the Guildhall again that evening. He further resolved to sleep all
day, so that he might be very wakeful and vigilant, and above all
that he might take notice of the figures at the precise moment of
their becoming animated and subsiding into their old state, which
he greatly reproached himself for not having done already.

CORRESPONDENCE TO MASTER HUMPHREY

'SIR, - Before you proceed any further in your account of your
friends and what you say and do when you meet together, excuse me
if I proffer my claim to be elected to one of the vacant chairs in
that old room of yours. Don't reject me without full
consideration; for if you do, you will be sorry for it afterwards -
you will, upon my life.

'I enclose my card, sir, in this letter. I never was ashamed of my
name, and I never shall be. I am considered a devilish gentlemanly
fellow, and I act up to the character. If you want a reference,
ask any of the men at our club. Ask any fellow who goes there to
write his letters, what sort of conversation mine is. Ask him if
he thinks I have the sort of voice that will suit your deaf friend
and make him hear, if he can hear anything at all. Ask the
servants what they think of me. There's not a rascal among 'em,
sir, but will tremble to hear my name. That reminds me - don't you
say too much about that housekeeper of yours; it's a low subject,
damned low.

'I tell you what, sir. If you vote me into one of those empty
chairs, you'll have among you a man with a fund of gentlemanly
information that'll rather astonish you. I can let you into a few
anecdotes about some fine women of title, that are quite high life,
sir - the tiptop sort of thing. I know the name of every man who
has been out on an affair of honour within the last five-and-twenty
years; I know the private particulars of every cross and squabble
that has taken place upon the turf, at the gaming-table, or
elsewhere, during the whole of that time. I have been called the
gentlemanly chronicle. You may consider yourself a lucky dog; upon
my soul, you may congratulate yourself, though I say so.

'It's an uncommon good notion that of yours, not letting anybody
know where you live. I have tried it, but there has always been an
anxiety respecting me, which has found me out. Your deaf friend is
a cunning fellow to keep his name so close. I have tried that too,
but have always failed. I shall be proud to make his acquaintance
- tell him so, with my compliments.

'You must have been a queer fellow when you were a child,
confounded queer. It's odd, all that about the picture in your
first paper - prosy, but told in a devilish gentlemanly sort of
way. In places like that I could come in with great effect with a
touch of life - don't you feel that?

'I am anxiously waiting for your next paper to know whether your
friends live upon the premises, and at your expense, which I take
it for granted is the case. If I am right in this impression, I
know a charming fellow (an excellent companion and most delightful
company) who will be proud to join you. Some years ago he seconded
a great many prize-fighters, and once fought an amateur match
himself; since then he has driven several mails, broken at
different periods all the lamps on the right-hand side of Oxford-
street, and six times carried away every bell-handle in Bloomsbury-
square, besides turning off the gas in various thoroughfares. In
point of gentlemanliness he is unrivalled, and I should say that
next to myself he is of all men the best suited to your purpose.

'Expecting your reply,

'I am,

'&c. &c.'

Master Humphrey informs this gentleman that his application, both
as it concerns himself and his friend, is rejected.

CHAPTER II - MASTER HUMPHREY, FROM HIS CLOCK-SIDE IN THE CHIMNEY-
CORNER

MY old companion tells me it is midnight. The fire glows brightly,
crackling with a sharp and cheerful sound, as if it loved to burn.
The merry cricket on the hearth (my constant visitor), this ruddy
blaze, my clock, and I, seem to share the world among us, and to be
the only things awake. The wind, high and boisterous but now, has
died away and hoarsely mutters in its sleep. I love all times and
seasons each in its turn, and am apt, perhaps, to think the present
one the best; but past or coming I always love this peaceful time
of night, when long-buried thoughts, favoured by the gloom and
silence, steal from their graves, and haunt the scenes of faded
happiness and hope.

The popular faith in ghosts has a remarkable affinity with the
whole current of our thoughts at such an hour as this, and seems to
be their necessary and natural consequence. For who can wonder
that man should feel a vague belief in tales of disembodied spirits
wandering through those places which they once dearly affected,
when he himself, scarcely less separated from his old world than
they, is for ever lingering upon past emotions and bygone times,
and hovering, the ghost of his former self, about the places and
people that warmed his heart of old? It is thus that at this quiet
hour I haunt the house where I was born, the rooms I used to tread,
the scenes of my infancy, my boyhood, and my youth; it is thus that
I prowl around my buried treasure (though not of gold or silver),
and mourn my loss; it is thus that I revisit the ashes of
extinguished fires, and take my silent stand at old bedsides. If
my spirit should ever glide back to this chamber when my body is
mingled with the dust, it will but follow the course it often took
in the old man's lifetime, and add but one more change to the

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