Alien 3 script

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Book by William Gibson - Alien 3 script, page 24

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The Lab Tech unfastens his lapbelt and grapples with the suited beast, pulling
it off Spence.

Hicks is wrestling with
his pulse-rifle, pinned to the bench by the struggle.

The suit radios are filled with the beast's thick gurgling ROAR. As it turns
on the Lab Tech, flings him out through the open hatch, and bounds after him.

EXT. HULL -- AIRLOCK

Vacuum. Zero gravity.

The thing in Rosetti's suit catches the Lab Tech in mid-tumble, its gloved
hands spread like talons, grips the Lab Tech's helmet and collar-joint in
either hand, and rips his helmet off. Air explodes from the neck of his suit,
lifting his air in a three-second gale that freezes instantly, becoming a
small cloud of ice crystal. The Lab Tech's eyes are frozen marbles. He goes
cartwheeling slowly across the hull as the beast grabs a protruding strut and
spins to dace the airlock with a terrible balletic grace.

Hicks is in the hatchway. He raises. the pulse-rifle, pulls the trigger. The
ammo-counter flashes 00, empty. Jackson reaches past him with a fresh
magazine. Hicks slaps it into the gun as the beast launches itself toward
him from the strut. He
FIRES. The space suit EXPLODES in a cloud of blood
and acid.

Hicks bounces awkwardly out over the rim of the hatch, followed by Jackson and
Spence.

Beat. Anchorpoint's hull stretches away to its own horizon, al flat gray
expanse of broken by various structures. The body of the Lab Tech is
tumbling slowly out into space.

SPENCE
(filter; suit radio; looking
after the vanishing Lab Tech)
I never even knew his name... Hicks... Hicks,
are we gonna make it?

Hick's gloved hands is closed around something small. He open it, looks down.
His watch. 2159 HOURS.

Hicks looks into her eyes as if he sees her for the first time.

HICKS
(filter; suit radio)
Make it? Yeah... Sure we make it.

He gives her a desperate grin.

His gloved hand, still holding the watch, takes her.

SOUND of the watch's alarm: 2200 HOURS.

Hicks' eyes are
shut tight.

Nothing happens.

SPENCE
(filter; suit radio)
Hicks? Hicks, are you okay? What is it?

He opens his eyes. Looks at her. Releases her hand.

EXTREME CLOSEUP ON WATCH

2201 HOURS

ANGLE

SPENCE
(filter; suit radio)
You okay?

Hicks flings with watch away. It tumbles out slowly, level with the deck,
keeps tumbling...

HICKS
(filter; suit radio)
Okay, Ops, which way to the boats?

JACKSON
(filter; suit radio)
Got me, man. The map was just for the inside...

HICKS
(filter; suit radio)
See that radio mast? Let's try that way.

They set out in single-file across the hull, Hicks leading, Jackson bringing
up the rear. The radio mast, visible a
bove the horizon, is the tallest
structure in sight, a steel thorn slanted toward the stars.

Behind them, the airlock remain open, spilling light...

EXT. HULL -- LONG SHOT

Three tiny figures, their helmets bright dots of color against the monotone
hull-plain: red, blue, green.

VOICE OVER: Steady rasp of human breath.

EXT. HULL -- ANOTHER ANGLE -- LONG

Shadows tangle in the light from the lock. Moving. Black talons slip over
the hatch rim, followed by an eyeless Alien mask. Then another. The
creatures are entirely unaffected by cold, by vacuum...

EXT. HULL -- APPROACH TO LIFEBOAT BAYS

Hicks, Spence, Jackson. Hicks gestures with his rifle: the prows of the
boats.

HICKS
(filter; suit radio)
There you go, Ops.

JACKSON
(filter; suit radio)
Good navigating...

HICKS
(filter; suit radio)

Good guessing. Still have to get into one of
the damn things...

Spence loses her footing as she climbs down a ledge, goes into a slow-motion,
zero-g roll; Jackson grabs her.

EXT. HULL -- SHOT FROM UNLIT LIFEBOAT INTERIOR THROUGH A PORTHOLE

Hicks is approaching. Closer. His gloves on the porthole. His helmet-bubble
CLICKS against it. The beam of his light stabs in, swings from side to side,
blinks out.

EXT. HULL -- LIFEBOAT BAYS

Hicks straightens up from the porthole.

HICKS
(filter; suit radio)
Looks good. Good as it gets. How the hell we
get in?

JACKSON
(filter; suit radio)
I can run a bypass on the hatch latches, but I
need a hotwire...

SPENCE
(filter; suit radio; starting
to climb up the side of the boat)
I
can strip some cable off the solar cells...

HICKS
(filter; suit radio)
Open it that way and we lose the air.

JACKSON
(filter; suit radio)
We'll have to draw the backup off the tanks.
Won't matter once we're in hypersleep. No
other way...

EXT. TOP OF LIFEBOAT

Spence's POV for helmet as the crouches over a flat, rectangular solar cells
and tugs with her gloves tips at a small access port. She keeps losing her
grip; the space suit's gloves aren't designed for fine work.

SPENCE
(filter; suit radio; talking to
keep her head together)
Like the science fair. I had to scrounge
everything... Spent a month desoldering a TV I
got out of my uncle's basement...

She manages to get the cover off -- it tumbles backw
ard -- upward -- with the
momentum on its removal. Spence peers at a densely packed mass of color-coded
wiring.

SPENCE
(continuing; filter;
suit radio)
Hey, Jackson, you want anything in particular?

JACKSON
(filter; suit radio)
How about twenty centimeters of the red and
green stuff?

Spence begins to fumble with the wiring.

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   Thursday 20 November, 2008