Burning Chrome
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Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 Next page was the wrong color. Something. Beside him, in the dark clarity of the mirror, the green-eyed woman looked like Irma La Douce. But looking closer, studying her face, he shivered. A face like an animal's. A beautiful face, but simple, cunning, two-dimensional. When she senses you're looking at her, Coretti thought, she'll give you the smile, disdain- ful amusement or whatever you'd expect. Coretti blurted, "May I, um, buy you a drink?" At moments like these, Coretti was possessed by an agonizingly stiff, schoolmasterish linguistic tic. Um. He winced. Um. "You would, um, like to buy me a drink? Why, how kind of you," she said, astonishing him. "That would be very nice." Distantly, he noticed that her reply was as stilted and insecure as his own. She added, "A Tom Collins, on this occasion, would be lovely." On this occasion? Lovely? Rattled, Coretti ordered two drinks and paid. A big woman in jeans and an embroidered cowboy shirt bellied up to the bar beside him and asked the bartender for change. "Well, hey," she said. Then she strutted to the jukebox and punched for Conway and Loretta's "You're the Reason Our Kids Are Ugly." Coretti turned to the woman in green, and murmured haltingly: "Do you enjoy country-and-western music?" Do you enjoy... ? He groaned secretly at his phrasing, and tried to smile. "Yes indeed," she answered, the faintest twang edging her voice, "I sure do." The cowgirl sat down beside him and asked her, winking, "This li'l terror here givin' you a hard time?" And the animal-eyed lady in green replied, "Oh, hell no, honey, I got my eye on `im." And laughed. Just the right amount of laugh. The part of Coretti that was dialectologist stirred uneasily; too perfect a shift in phrasing and inflection. An actress? A talented mimic? The word mimetic rose suddenly in his mind, but he pushed it aside to study her reflection in the mirror; the rows of bottles occluded her breasts like a gown of glass. "The name's Coretti," he said, his verbal poltergeist shifting abruptly to a totally unconvincing tough-guy mode, "Michael Coretti." "A pleasure," she said, too softly for the other woman to hear, and again she had slipped into the lame parody of Emily Post. "Conway and Loretta," said the cowgirl, to no one in particular. "Antoinette," said the woman in green, and in- clined her head. She finished her drink, pretended to glance at a watch, said thank-you-for-the-drink too damn politely, and left. Ten minutes later Coretti was following her down Third Avenue. He had never followed anyone in his life and it both frightened and excited him. Forty feet seemed a discreet distance, but what should he do if she happened to glance over her shoulder? Third Avenue isn't a dark street, and it was there, in the light of a streetlamp, like a stage light, that she began to change. The street was deserted. She was crossing the street. She stepped off the curb and it began. It began with tints in her hair at first he thought they were reflections. But there was no neon there to cast the blobs of color that appeared, color sliding and merging like oil slicks. Then the colors bled away and in three seconds she was white-blond. He was sure it was a trick of the light until her dress began to writhe, twisting across her body like shrink-wrap plastic. Part of it fell away entirely and lay in curling shreds on the pavement, shed like the skin of some fabu- lous animal. When Coretti passed, it was green foam, fizzing, dissolving, gone. He looked back up at her and the dress was another dress, green satin, shifting with reflections. Her shoes had changed too. Her shoulders were bare except for thin straps that crossed at the small of her back. Her hair had become short, spiky. He found that he was leaning against a jeweler's plate-glass window, his breath coming ragged and harsh with the damp of the autumn evening. He heard the disco's heartbeat from two blocks away. As she neared it, her movements began subtly to take on a new rhythm a shift in emphasis in the sway of her hips, in the way she put her heels down on the sidewalk. The doorman let her pass with a vague nod. He stopped Cor- etti and stared at his driver's license and frowned at his duffle coat. Coretti anxiously scanned the wash of lights at the top of a milky plastic stairway beyond the door- man. She had vanished there, into robotic flashing and redundant thunder. Grudgingly the man let him pass, and he pounded up the stairs, his haste disturbing the lights beneath the translucent plastic steps. Coretti had never been in a disco before; he found himself in an environment designed for complete satis- faction-in-distraction. He waded nervously through the motion and the fashions and the mechanical urban chants booming from the huge speakers. He sought her almost blindly on the pose-clotted dance floot, amid strobe lights. And found her at the bar, drinking a tall, lurid cooler and listening to a young man who wore a loose shirt of pale silk and very tight black pants. She nodded at what Coretti took to be appropriate intervals. Coretti ordered by pointing at a bottle of bourbon. She drank five of the tall drinks and then followed the young man to the dance floor. She moved in perfect accord with the music, strik- ing a series of poses; she went through the entire prescribed sequence, gracefully but not artfully, fitting in perfectly. Always, always fitting in perfectly. Her companion danced mechanically, moving through the ritual with effort. When the dance ended, she turned abruptly and dived into the thick of the crowd. The shifting throng closed about her like something molten. Coretti plunged in after her, his eyes never leaving her and he was the only one to follow her change. By the time she reached the stair, she was auburn-haired and wore a long blue dress. A white flower blossomed in her hair, behind her right ear; her hair was longer and straighter now. Her breasts had become slightly larger, and her hips a shade heavier. She took the stairs two at a time, and he was afraid for her then. All those drinks. But the alcohol seemed to have had no effect on her at all. Never taking his eyes from her, Coretti followed, his heartbeat outspeeding the disco-throb at his back, sure that at any moment she would turn, glare at him, call for help. Two blocks down Third she turned in at Lotha- rio's. There was something different in her step now. Lothario's was a quiet complex of rooms hung with ferns and Art Deco mirrors. There were fake Tiffany lamps hanging from the ceiling, alternating with wooden-bladed fans that rotated too slowly to stir the wisps of smoke drifting through the consciously mellow drone of conversation. After the disco, Lothario's was familiar and comforting. A jazz pianist in pinstriped shirt sleeves and loosely knotted tie competed softly with talk and laughter from a dozen tables. She was at the bar; the stools were only half taken, but Coretti chose a wall table, in the shadow of a miniature palm, and ordered bourbon. He drank the bourbon and ordered another. He couldn't feel the alcohol much tonight. She sat beside a young man, yet another young man with the usual set of bland, regular features. He wore a yellow golf shirt and pressed jeans. Her hip was touch- ing his, just a little. They didn't seem to be speaking, but Coretti felt they were somehow communing. They were leaning toward one another slightly, silent. Coretti felt odd. He went to the rest room and splashed his face with water. Coining back, he managed to pass within three feet of them. Their lips didn't move till he was within earshot. They took turns murmuring realistic palaver: saw l~is earlier films, but " "But he's rather self-indulgent, don't you think?" "Sure, but in the sense that.. And for the first time, Coretti knew what they were, what they must be. They were the kind you see in bars who seem to have grown there, who seem genuinely at home there. Not drunks, but human fixtures. Func- tions of the bar. The belonging kind. Something in him yearned for a confrontation. He reached his table, but found himself unable to sit down. He turned, took a deep breath, and walked woodenly toward the bar. He wanted to tap her on her smooth shoulder and ask who she was, and exactly what she was, and point out the cold irony of the fact that it was he, Coretti, the Martian dresser, ~he eavesdropper, the outsider, the one whose clothes and conversation never fit, who had at last guessed their secret. But his nerve broke and he merely took a seat beside her and ordered bourbon. "But don't you think," she asked her companion, "that it's all relative?" The two seats beyond her companion were quickly taken by a couple who were talking politics. Antoinette and Golf Shirt took up the political theme seamlessly. recycling, speaking just loudly enough to be overheard. Her face, as she spoke, was expressionless. A bird trill- ing on a limb. She sat so easily on her stool, as if it were a nest. Golf Shirt paid for the drinks. He always had the exact change, unless he wanted to leave a tip. Coretti watched them work their way methodically through six cocktails each, like insects feeding on nectar. But their voices never grew louder, their cheeks didn't redden, and when at last they stood, they moved without a trace of drunkenness a weakness, thought Coretti, a gap in their camouflage. They paid him absolutely no attention while he followed them through three successive bars. As they entered Waylon's, they metamorphosed so quickly that Coretti had trouble following the stages of the change. It was one of those places with toilet doors |
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