Count Zero

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Book by William Gibson - Count Zero, page 12

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"Learned that in vet school," Rhea added, for Bobby's
benefit, "`cept usually he's too wasted, nobody'd let him
work on a dog .
"So," Two-a-Day said, and finally let his eyes rest on
Bobby, "you gonna make it." And his eyes were so cold, so
tired and clinical, so far removed from the hustling manic
bullshitter's act that Bobby had taken for the man's person-
ality, that Bobby could only lower his own eyes, face burn-
ing, and lock his gaze on the table.
Nearly three meters long and slightly over a meter wide, it
was strapped together from timbers thicker than Bobby's
thigh. It must have been in the water once, he thought;
sections still retained the bleached silvery patina of
driftwood,
like the log he remembered playing beside a long time ago in
Atlantic City. But it hadn't seen water for a long time, and
the top was a dense mosaic of candle drippings, wine stains,
oddly shaped overspray marks in matte black enamel, and the
dark burns left by hundreds of cigarettes. It was so crowded
with food, garbage, and gadgets that it looked as though some
street vendor had set up to unload hardware, then decided to
have dinner. There were half-eaten pizzaskrill balls in red
sauce, and Bobby's stomach began to churnbeside cascad-
ing stacks of software, smudged glasses with cigarettes crushed
out in purple wine dregs, a pink styrene tray with neat rows
of stale-looking canapes, open and unopened cans of beer, an
antique Gerber combat dagger that lay unsheathed on a flat
block of polished marble, at least three pistols, and perhaps
two dozen pieces of cryptic-looking console gear, the kind of
cowboy equipment that ordinarily would have made Bobby's
mouth water.
Now his mouth was watering for a slice of cold krill pizza,
but his hunger was nothing in the face of his abrupt humilia-
tion at seeing that Two-a-Day just didn't care. Not that Bobby
had thought of him as a friend, exactly, but he'd definitely
had something invested in the idea that Two-a-Day saw him
as someone, somebody with talent and initiative and a chance
of getting out of Barrytown. But Two-a-Day's eyes told him
he was nobody in particular, and a wilson at that .
"Look here, my man," someone said, not Two-a-Day, and
Bobby looked up. Two other men flanked Two-a-Day on the
fat chrome and leather couch, both of them black. The one
who'd spoken wore a gray robe of some kind and antique
plastic-framed glasses. The frames were square and oversized
and seemed to lack lenses. The other man's shoulders were
twice as wide as Two-a-Day's, but he wore the kind of plain
black two-piece suit you saw on Japanese businessmen in
kinos. His spotless white French cuffs were closed with bright
rectangles of gold microcircuitry. "It's a shame we can't let
you have some downtime to heal up," the first man said,
"but we have a bad problem here." He paused, removed his
glasses, and massaged the bridge of his nose. "We require
your help."
"Shit," Two-a-Day said He leaned forward, took a Chi-
nese cigarette from the pack on the table, lit it with a dull
pewter skull the size of a large lemon, then reached for a
glass of wine. The man with the glasses extended a lean
brown forefinger and touched Two-a-Day's wrist. Two-a-Day
released the glass and sat back, his face carefully blank. The
man smiled at Bobby. "Count Zero," he said, "they tell us
that's your handle."
"That's right," Bobby managed, though it came out as a
kind of croak.
"We need to know about the Virgin, Count." The man
waited.
Bobby blinked at him.
"Vy~j Mirak"and the glasses went back on' `Our Lady,
Virgin of Miracles. We know her' `and he made a sign with
his left hand' `as Ezili Freda."
Bobby became aware of the fact that his mouth was open,
so he closed it. The three dark faces waited. Jackie and Rhea
were gone, but he hadn't seen them leave. A kind of panic
took him then, and he glanced frantically around at the strange
forest of stunted trees that surrounded them. The gro-light
tubes slanted at every angle, in any direction, pink-purple
jackstraws suspended in a green space of leaves. No walls
You couldn't see a wall at all. The couch and the battered
table sat in a sort of clearing, with a floor of raw concrete.
"We know she came to you," the big man said, crossing
his legs carefully. He adjusted a perfect trouser-crease, and a
gold cufflink winked at Bobby. "We know, you understand?"
"Two-a-Day tells me it was your first run," the other man
said. "That the truth?"
Bobby nodded.
"Then you are chosen of Legba," the man said, again
removing the empty frames," to have met Vy4~ Mirak." He
smiled.
Bobby's mouth was open again.
"Legba," the man said, "master of roads and pathways,
the ba of communication . .
Two-a-Day ground his cigarette out on the scarred wood,
and Bobby saw that his hand was shaking.

THEY AGREED TO MEET in the brasserie on the fifth sublevel of
the Napoleon Court complex. beneath the Louvre's glass
pyramid. It was a place they both knew, although it had had
no particular meaning for them. Alain had suggested it. and
she suspected him of having chosen it carefully. It was neu-
tral emotional ground; a familiar setting, yet one that was free
of memories. It was decorated in a style that dated from the
turn of the century: granite counters, black floor-to-ceiling
beams, wall-to-wall mirror, and the sort of Italian restaurant
furniture, in dark welded steel, that might have belonged to
any decade of the past hundred years. The tables were cov-
ered in gray linen with a fine black stripe, a pattern picked up
and repeated on the menu covers and matchbooks and the
aprons of the waiters.
She wore the leather coat she'd bought in Brussels, a red
linen blouse, and new black cotton jeans. Andrea had pre-
tended not to notice the extreme care with which she'd dressed
for the meeting, and then had loaned her a simple single
strand of pearls, which set off the red blouse perfectly.
He'd come early, she saw as she entered, and already the
table was littered with his things. He wore his favorite scarf,
the one they'd found together at the flea market the year
before, and looked, as he usually did, disheveled but per-
fectly at ease. The tattered leather attache case had disgorged
its contents across the little square of polished granite:
spiral
notebooks, an unread copy of the month's controversial novel,
Gauloise nonfilters, a box of wooden matches, the leather-
bound agenda she'd bought for him at Browns
"I thought you might not cOme," he said, smiling up at
her.
"Why would you have thought that?" she asked, a random
responsepathetic, she thoughtmasking the terror she now
felt, that she allowed herself at last to feel, which was fear
of
some loss of self, of will and direction, fear of the love she
still felt. She took the other chair and seated herself as the
young waiter amved, a Spanish boy in a striped apron, to
take her order. She asked for Vichy water.
"Nothing else?" Alain asked. The waiter hovered
"No, thank you."
"I've been trying to reach you for weeks," he said, and
she knew that that was a lie, and yet, as she often had before,
she wondered if he was entirely conscious of the fact that he
was lying. Andrea maintained that men like Alain lied so
constantly, so passionately, that some basic distinction had
been lost. They were artists in their own right, Andrea said,
intent on restructuring reality, and the New Jerusalem was a
fine place indeed, free of overdrafts and disgruntled landlords
and the need to find someone to cover the evening's bill.
"I didn't notice you trying to reach me when Gnass came
with the police," she said, hoping at least that he would
wince, but the boyish face was calm as ever, beneath clean
brown hair he habitually combed back with his fingers.
"I'm sorry," he said, crushing out his Gauloise Because
she'd come to associate the smell of the dark French tobacco
with him, Paris had seemed full of his scent, his ghost, his
trail. "I was certain he'd never detect thethe nature of the
piece. You must understand: Once I had admitted to myself
how badly we needed the money, I knew that I must act
You, I knew, were far too idealistic. The gallery would have
folded in any case. If things had gone as planned, with
Gnass, we would be there now, and you would be happy.
Happy," he repeated, taking another cigarette from the pack
She could only stare at him, feeling a kind of wonder, and
a sick revulsion at her desire to believe him.
"You know," he said, taking a match from the red and
yellow box, "I've had difficulties with the police before.
When I was a student. Politics, of course." He struck the
match, tossed the box down, and lit the cigarette
"Politics," she said, and suddenly felt like laughing "I
was unaware that there was a party for people like you. I
can't imagine what it might be called."
"Marly," he said, lowering his voice, as he always did
when he wished to indicate intensity of feeling, "you know,
you must know, that I acted for you For us, if you will But
surely you know, you can feel, Marly, that I would never
deliberately hurt you, or place you in jeopardy." There was
no room on the crowded little table for her purse, so she'd
held it in her lap; now she was aware of her nails buried deep
in the soft thick leather
"Never hurt me The voice was her own, lost and
amazed, the voice of a child, and suddenly she was free, free
of need, desire, free of fear, and all that she felt for the
handsome face across the table was simple revulsion, and she
could only stare at him, this stranger she'd slept beside for
one year, in a tiny room behind a very small gallery in the
Rue Mauconseil. The waiter put her glass of Vichy down in
front of her.
He must have taken her silence for the beginning of accep-
tance, the utter blankness of her expression for openness.
"What you don't understand"this, she remembered, was a
favorite opening' `is that men like Gnass exist, in some
sense, to support the arts To support us, Marly." He smiled
then, as though he laughed at himself, a jaunty, conspiratorial
smile that chilled her now. "I suppose, though, that I should
have credited the man with having at least the requisite sense
to hire his own Cornell expert, although my Cornell expert, I
assure you, was by far the more erudite of the two .
How was she to get away? Stand, she told herself Turn.
Walk calmly back to the entrance Step through the door. Out
into the subdued glitter of Napoleon Court, where polished
marble overlay the Rue du Champ Fleuri, a fourteenth-cen-
tury street said to have been reserved primarily for prostitu-
tion. Anything, anything, only go, only leave, now, and be
away, away from him, walking blind, to lose herself in the
guidebook Paris she'd learned when she'd first come here.

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