Count Zero
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Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 Next page The Wig sat on the beach at Cannes for two years, ingest- ing only the most expensive designer drugs and periodically flicking on a tiny Hosaka television to study the bloated bodies of dead Africans with a strange and curiously innocent intensity. At some point, no one could quite say where or when or why, it began to be noted that the Wig had gone over the edge. Specifically, the Finn said, the Wig had become convinced that God lived in cyberspace, or perhaps that cyberspace was God, or some new manifestation of same. The Wig's ventures into theology tended to be marked by major paradigm shifts, true leaps of faith. The Finn had some idea of what the Wig was about in those days; shortly after his conversion to his new and singular faith, Wigan Ludgate had returned to the Sprawl and embarked on an epic if somewhat random voyage of cybernetic discovery. Being a former console jockey, he knew where to go for the very best in what the Finn called the hard and the soft. The Finn provided the Wig with all manner of both, as the Wig was still a rich man. The Wig explained to the Finn that his technique of mystical exploration involved projecting his con- sciousness into blank, unstructured sectors of the matrix and waiting. To the man's credit, the Finn said, he never actually claimed to have met God, although he did maintain that he had on several occasions sensed His presence moving upon the face of the grid. In due course, the Wig ran out of money. His spiritual quest having alienated the few remaining busi- ness connections from his pre-African days, he sank without a trace. "But then he turned up one day," the Finn said, "crazy as a shithouse rat. He was a pale little fucker anyway, but now he wore all this African shit, beads and bones and every- thing." Bobby let go of the Finn's narrative long enough to wonder how anyone who looked like the Finn could describe somebody as a pale little fucker, then glanced over at Lucas, whose face was dead grim. Then it occurred to Bobby that Lucas might take the Africa stuff personally, sort of. But the Finn was continuing his story. "He had a lot of stuff he wanted to sell. Decks, peripher- als, software. It was all a couple of years old, but it was top gear, so I gave him a price on it. I noticed he'd had a socket implant, and he kept this one sliver of microsoft jacked behind his ear. What's the soft? It's blank, he says. He's sitting right where you are now, kid, and he says to me, it's blank and it's the voice of God, and I live forever in His white hum, or some shit like that. So I think, Christ, the Wig's gone but good now, and there he is counting up the money I'd given him for about the fifth time. Wig, I said, time's money but tell me what you intend to do now? Be- cause I was curious. Known the guy years, in a business way Finn, he says, I gotta get up the gravity well, God's up there. I mean, he says, He's everywhere but there's too much static down here, it obscures His face. Right, I say. you got it. So I show him the door and that's it. Never saw him again." Bobby blinked, waited, squirmed a little on the hard seat of the folding chair. "Except, about a year later, a guy turns up, high-orbit rigger down the well on a leave, and he's got some good software for sale. Not great, but interesting. He says it's from the Wig. Well, maybe the Wig's a freak, and long out of the game, but he can still spot the good shit. So I buy it. That was maybe ten years ago, right? And every year or so, some guy would turn up with something. `The Wig told me I should offer you this.' And usually I'd buy it. It was never anything special, but it was okay. Never the same guy bring- ing it, either." "Was that it, Finn, just software?" Lucas asked "Yeah, mainly, except for these weird sculpture things. I'd forgotten that. I figured the Wig made `em. First time a guy came in with one of those, I bought the `ware he had, then said what the fuck do you call that? Wig said you might be interested, the guy said. Tell him he's crazy, I said. The guy laughed. Well, you keep it, he says I'm not carrying the Goddamn thing back up with me. I mean, it was about the size of a deck, this thing, just a bunch of garbage and shit, stuck together in a box . . . So I pushed it behind this Coke crate fulla scrap iron, and forgot it, except old Smith-he's a colleague of mine in those days, dealt mostly art and collecti- bleshe sees it and wants it. So we do some dipshit deal. Any more of these, Finn, he says, get `em. There's assholes uptown go for this kind of shit. So the next time a guy turned up from the Wig, I bought the sculpture thing, too, and traded it to Smith. But it was never much money for any of it . . The Finn shrugged. "Not until last month, anyway. Some kid came in with what you bought. It was from the Wig. Listen. he says, this is biosoft and its a bfeaker. Wig says it's worth a lot. I put a scan on it and it looked right. I thought it looked interesting, you know? Your partner Beauvoir thought it looked pretty interesting, too. I bought it. Beauvoir bought it off me. End of story." The Finn dragged out a cigarette, this one broken, bent double. "Shit," he said He pulled a faded pack of cigarette papers from the same pocket and extracted one of the fragile pink leaves, rolling it tightly around the broken cigarette, a sort of splint. When he licked the glue, Bobby caught a glimpse of a very pointed gray-pink tongue. "And where, Finn, does Mr. Wig reside?" Lucas asked, his thumbs beneath his chin, his large fingers forming a steeple in front of his face. "Lucas, I haven't got the slightest fucking clue. In orbit somewhere. And modestly, if the kind of money he was getting out of me meant anything to him. You know, I hear there's places up there where you don't need money, if you fit into the economy, so maybe a little goes a long way. Don't ask me, though, I'm agoraphobic." He smiled nastily at Bobby, who was trying to get the image of that tongue out of his mind. "You know," he said, squinting at Lucas, "it was about that time that I started hearing about weird shit happen- ing in the matrix." "Like what?" Bobby asked. "Keep the fuck out of this," the Finn said, still looking at Lucas. "That was before you guys turned up, the new hoo- doo team. I knew this street samurai got a job working for a Special Forces type made the Wig look flat fucking normal. Her and this cowboy they'd scraped up out of Chiba, they were on to something like that. Maybe they found it. Istanbul was the last I saw of `em. Heard she lived in London, once, a few years ago. Who the fuck knows? Seven, eight years." The Finn suddenly seemed tired, and old, very old. He looked to Bobby like a big, mummified rat animated by springs and hidden wires. He took a wristwatch with a cracked face and a single greasy leather strap from his pocket and consulted it. "Jesus. Well, that's all you get from me. Lucas. I've got some friends from an organ bank coming by in twenty minutes to talk a little biz." Bobby thought of the bodies upstairs. They'd been there all day. "Hey," the Finn said, reading the expression on his face, "organ banks are great for getting rid of things. I'm paying them. Those motherless assholes upstairs, they don't have too much left in the way of organs ..."And the Finn laughed "You said he was close to . . . Legba? And Legba's the one you and Beauvoir said gave me luck when I hit that black ice?" Beyond the honeycomb edge of the geodesics, the sky was lightening. "Yes," Lucas said. He seemed lost in thought. "But he doesn't seem to trust that stuff at all." "It doesn't matter," Lucas said as the Rolls came into view. "He's always been close to the spirit of the thing." THE PLANE HAD GONE to ground near the sound of running water. Turner could hear it, turnin'g in the g-web in his fever or sleep, water down stone, one of the oldest songs The plane was smart, smart as any dog, with hard-wired instincts of concealment. He felt it sway on its landing gear, some- where in the sick night, and creep forward, branches brushing and scraping against the dark canopy. The plane crept into deep green shadow and sank down on its knees, its airframe whining and creaking as it flattened itself, belly down, into loam and granite like a manta ray into sand. The mimetic polycarbon coating its wings and fuselage mottled and dark- ened, taking on the colors and patterns of moon-dappled stone and forest soil. Finally it was silent, and the only sound was the sound of water over a creekbed . He came awake like a machine, eyes opening, vision plugged in, empty, remembering the red flash of Lynch's death out beyond the fixed sights of the Smith & Wesson. The arc of the canopy above him was laced with mimetic approximations of leaves and branches Pale dawn and the sound of running water He was still wearing Oakey's blue work shirt It smelled of sour sweat now, and he'd ripped the sleeves out the day before. The gun lay between his legs, pointing at the jet's black joystick. The g-web was a limp tangle around his hips and shoulders. He twisted around and saw the girl, oval face and a brown dried trickle of blood beneath a nostril She was still out, sweating, her lips slightly parted, like a doll's. "Where are we?" "We are fifteen meters south-southeast of the landing coordi- nates you provided," the plane said. "You were unconscious again. I opted for concealment." He reached back and removed the interface plug from his socket, breaking his link with the plane. He gazed dully around the cockpit until he found the manual controls for the canopy. It sighed up on servos, the lacework of polycarbon leaves shifting as it moved. He got his leg over the side, looked down at his hand flat against the fuselage at the edge of the cockpit Polycarbon reproduced the gray tones of a nearby boulder; as he watched, it began to paint a hand-sized patch the color of his palm He pulled his other leg over, the gun forgotten on the seat, and slid down into earth and long sweet grass. Then he slept again, his forehead against the grass and dreamed of running water. When he woke, he was crawling forward on his hands and knees, through low branches heavy with dew. Finally he reached a cleanng and pitched forward, rolling over, his arms spread in what felt like surrender. High above him, something small and gray launched itself from one branch, caught an- other, swung there for an instant, then scrambled away, out of his sight. Lie still, he heatti a voice telling him, years away. Just lay out and relax and pretty soon they'll forget you, forget you in the gray and the dawn and the dew. They're out to feed, feed and play, and their brains can't hold two messages, not for long. He lay there on his back, beside his brother, the nylon- stocked Winchester across his chest, breathing the smell of new brass and gun oil, the smell of their campfire still in his |
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