Count Zero

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Book by William Gibson - Count Zero, page 40

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voice said. And he was back against the driver's seat, the
Smith & Wesson's barrel reflecting a single line of green
instrument glow, the luminous head on its front sight eclips-
ing her left pupil.
~No," the voice said.
He lowered the gun, "You're back."
"No. Legba spoke to you. I am Samedi."
"Saturday?"
"Baron Saturday, hired man. You met me once on a
hillside. The blood lay on you like dew. I drank of your full
heart that day." Her body jerked violently. "You know this
town well .
"Yes." He watched as muscles tensed and relaxed in her
face, molding her features into a new mask
"Very well. Leave the vehicle here, as you intended. But
follow the stations north. To New York. Tonight. I will guide
you with Legba's horse then, and you will kill for me
"Kill who?"
"The one you most wish to kill, hired man."
Angie moaned, shuddered, and began to sob.
"It's okay," he said. "We're half way home." It was a
meaningless thing to say, he thought, helping her out of the
seat; neither of them had homes at all. He found the case of
cartridges in the parka and replaced the one he'd used on the
Honda He found a paint-spattered razor-knife, in the dash
tool kit and sliced the ripstop lining out of the parka, a
million microtubes of poly insulation whirling up as he cut.
When he'd stripped it out, he put the Smith & Wesson in the
holster and put the parka on. It hung around him in folds, like
an oversized raincoat, and didn't show the bulge of the big
gun at all.
"Why did you do that?" she asked, running the back of
her hand across her mouth.
"Because ifs hot out there and I need to cover the gun."
He stuffed the ziploc full of used New Yen into a pocket.
"Come on," he said, "we got subways to catch

Condensation dripped steadily from the old Georgetown
dome, built forty years after the ailing Federals decamped for
the lower reaches of McLean. Washington was a Southern
city, always had been, and you felt the tone of the Sprawl
shift here if you rode the trains down the stations from
Boston. The trees in the District were lush and green, and
their leaves shaled the arc lights as Turner and Angela Mitch-
ell made their way along the broken sidewalks to Dupont
Circle and the station There were drums in the circle, and
someone had lit a trash fire in the giant's marble goblet at the
center. Silent figures sat beside spread blankets as they
passed,
the blankets arrayed with surreal assortments of merchandise:
the damp-swollen cardboard coveis of black plastic audio
disks beside battered prosthetic limbs trailing crude nerve-
jacks, a dusty glass fishbowl filled with oblong steel dog tags,
rubber-banded stacks of faded postcards, cheap Indo trodes
still sealed in wholesaler~s plastic, mismatched ceramic salt-
and-pepper sets, a golf club with a peeling leather grip, Swiss
army knives with missing blades, a dented tin wastebasket
lithographed with the face of a president whose name Turner
could almost remember (Carter? Grosvenor?), fuzzy holo-
grams of the Monument
In the shadows near the station's entrance, Turner haggled
quietly with a Chinese boy in white Jeans, exchanging the
smallest of Rudy's bills for nine alloy tokens stamped with
the ornate BAMA Transit logo.
Two of the tokens admitted them to the station. Three of
them went into vending machines for bad coffee and stale
pastries. The remaining four carried them north, the train
rushing silently along on its magnetic cushion. He sat back
with his arms around her, and pretended to close his eyes; he
watched their reflections in the opposite window. A tall man,
gaunt now and unshaven, hunched back in defeat with a
hollow-eyed girl curled beside him. She hadn't spoken since
they'd left the alley where he'd abandoned the hover.
For the second time in an hour he considered phoning his
agent. If you had to trust someone, the rule ran, then trust
your agent. But Conroy had said he'd hired Qakey and the
others through Turner's agent, and the connection made Turner
dubious. Where was Conroy tonight? Turner was fairly cer-
tain that it would have been Conroy who ordered Oakey after
them with the laser. Would Hosaka have arranged the railgun,
in Arizona, to erase evidence of a botched defection attempt?
But if they had, why order Webber to destroy the medics,
their neurosurgery, and the Maas-Neotek deck? And there
was Mans again. . . . Had Maas killed Mitchell? Was there
any reason to believe that Mitchell was really dead? Yes, he
thought, as the girl stirred beside him in uneasy sleep, there
was: Angie. Mitchell had feared they~d kill her, he'd arranged
the defection in order to get her out. get her to Hosaka, with
no plan for his own escape. Or that was Angie's version,
anyway.
He closed his eyes, shut out the reflections. Something
stirred, deep in the silt of Mitchell's recorded memories.
Shame. He couldn~t quite reach it. . . . He opened his eyes
suddenly. What had she said, at Rudy's? That her father had
put the thing into her head because she wasn't smart enough?
Careful not to disturb her, he worked his arm from behind her
neck and slid two fingers into the waist pocket of his pants,
came up with Conroy's little black nylon envelope on its neck
cord. He undid the Velcro and shook the swollen, asym-
metrical gray biosoft out onto his open palm. Machine dreams.
Roller coaster. Too fast, too alien to grasp. But if you wanted
something, something specific, you should be able to pull it
out.
He dug his thumbnail under the socket's dustcover, pried it
out, and put it down on the plastic seat beside him. The train
was nearly empty, and none of the other passengers seemed
to be paying any attention to him. He took a deep breath, set
his teeth, and inserted the biosoft
Twenty seconds later, he had it, the thing he'd gone for.
The strangeness hadn't touched him, this time, and he de-
cided that that was because he'd gone after this one specific
thing, this fact, exactly the sort of data you'd expect to find
in
the dossier of a top research man: his daughter's IQ, as
reflected by annual batteries of tests.
Angela Mitchell was well above the norm. Had been, all
along.
He took the biosoft out of his socket and rolled it absently
between thumb and forefinger. The shame. Mitchell and the
shame and grad school. . . . Grades, he thought. I want the
bastard's grades. I want his transcripts.
He jacked the dossier again.
Nothing. He'd gotten it, but there was nothing.
No. Again.
Ag~n...
"Goddamn," he said, seeing it.
A teenager with a shaved head glanced at him from a seat
across the aisle, then turned back to the stream of his friend's
monologue: "They're gonna run the games again, up on the
hill, midnight. We're goin', but we're just gonna hang, we're
not gonna make it, just kick back and let `em thump each
other's butts, and we're gonna laugh, see who gets thumped,
`cause last week Susan got her arm busted, you there for that?
An' it was funny, `cause Cal was tryin' t' takem to the
hospital but he was dusted `n' he ran that shitty Yamaha over
aspeedbump. .
Turner snapped the biosoft back into his socket.
This time, when it was over, he `said nothing at all. He put
his arm back around Angie and smiled, seeing the smile in
the window. It was a feral smile; it belonged to the edge
Mitchell's academic record was good, extremely good
Excellent. But the arc wasn't there. The arc was something
Turner had learned to look for in the dossiers of research
people, that certain signal curve of brilliance. He could spot
the arc the way a master machinist could identify metals by
observing the spark plume off a grinding wheel. And Mitchell
hadn't had it.
The shame. The graduate dorms Mitchell had known,
known he wasn't going to make it. And then, somehow, he
had. How? It wouldn't be in the dossier. Mitchell, somehow,
had known how to edit what he gave the Maas security
machine. Otherwise, they would have been on to him
Someone, something, had found Mitchell in his postgraduate
slump and had started feeding him things. Clues, directions.
And Mitchell had gone to the top, his arc hard and bright and
perfect then, and it had carried him to the top .
Who? What?
He watched Angie's sleeping face in the shudder of subway
light.
Faust.
Mitchell had cut a deal. Turner might never know the
details of the agreement, or Mitchell's price, but he knew he
understood the other side of it. What Mitchell had been
required to do in return.
Legba, Samedi, spittle curling from the girl's contorted
lips.
And the train swept into old Union in a black blast of
midnight air.

"Cab, sir?" The man's eyes were moving behind glasses
with a polychrome tint that swirled like oil slicks. There were
flat, silvery sores across the backs of his hands. Turner
stepped in close and caught his upper arm, without breaking
stride, forcing him back against a wall of scratched white tile.
between gray ranks of luggage lookers.
"Cash," Turner said. "I'm paying New Yen. I want my
cab. No trouble with the driver Understand? I'm not a mark."
He tightened his grip. "Fuck up on me, I'll come back here
and kill you, or make you wish I had."
"Got it Yessir. Got it. We can do that, sir, yessir. Where d'
you wanna go to, sir?" The man's wasted features contorted
in pain.
"Hired man." the voice came from Angie, a hoarse whis-
per. And then an address. Turner saw the tout's eyes dart
nervously behind the swirls of colors. "That's Madison?" he
croaked. "Yessir. Get you a good cab, real good cab . .

"What is this place," Turner asked the cabby, leaning
forward to thumb the SPEAK button beside the steel speaker
grid, "the address we gave you?"
There was a crackle of static. "Hypermart. Not much open
there this time of night. Looking for anything in particular?"
"No," Turner said. He didn't know the place. He tried to
remember that stretch of Madison, Residential, mostly. Un-
counted living spaces carved out of the shells of commercial
buildings that dated from a day when commerce had required
clerical workers to be present physically at a central loca-
tion. Some of the buildings were tall enough to penetrate a
dome
"Where are we going?" Angie asked, her hand on his arm.

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   Friday 21 November, 2008