Count Zero

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Book by William Gibson - Count Zero, page 43

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"That's a nice piece of hide," Jones said.
"Please," she said, "let's hurry . .
"Not far now." he sald, his work light swinging to show
her where the line vanished through one of three openings
arranged in an equilateral triangle.

"End of the line," he said. "Literal, that is." He tapped
the chromed eyebolt where the line was tied in a sailor's knot.
His voice caught and echoed, somewhere ahead of them, until
she imagined she heard other voices whispering behind the
round of echo. "We'll want a bit of light for this," he said,
kicking himself across the shaft and catching a gray metal
coffin thing that protruded there. He opened it. She watched
his hands move in the bright circle of the work light; his
fingers were thin and delicate, but the nails were small and
blunt, outlined with black, impacted grime. The letters "CJ"
were tattooed in crude blue across the back of his right hand.
The sort of tattoo one did oneself, in jail. . . . Now he'd
fished out a length of heavy, insulated wire. He squinted into
the box, then wedged the wire behind a copper D-connector.
The dark ahead vanished in a white flood of light.
"Got more power than we need, really," he said, with
something akin to a homeowner's pride. "The solar banks are
all still workin', and they were meant to power the main-
frames . . . Come on, then, lady, we'll meet the artist you
come so far to see He kicked off and out, gliding
smoothly through the opening, like a swimmer, into the light.
Into the thousand drifting things. She saw that the red plastic
soles of his frayed shoes had been patched with smears of
white silicon caulking.
And then she'd followed, forgetting her fears, forgetting
the nausea and constant vertigo, and she was there. And she
understood.
"My God," she said.
"Not likely," Jones called. "Maybe old Wig's, though.
Too bad it's not doing it now, though That's even more of a
sight."
Something slid past, ten centimeters from her face. An
ornate silver spoon, sawn precisely in half, from end to end.

She had no idea how long she'd been there, when the
screen lit and began to flicker. Hours, minutes . . She'd
already learned to negotiate the chamber, after a fashion,
kicking off like Jones from the dome's concavity. Like Jones.
she caught herself on the thing's folded, jointed arms, pivoted
and clung there, watching the swirl of debris. There were
dozens of the arms, manipulators, tipped with pliers,
hexdrivers,knives, a subminiature circular saw, a dentist's drill
They bristled from the alloy thorax of what must once have
been a construction remote, the sort of unmanned, semiauton-
omous device she knew from childhood videos of the high
frontier. But this one was welded into the apex of the dome,
its sides fused with the fabric of the Place, and hundreds of
cables and optic lines snaked across the geodesics to enter it.
Two of the arms, tipped with delicate force-feedback devices,
were extended; the soft pads cradled an unfinished box.
Eyes wide, Marly watched the uncounted things swing
past.
A yellowing kid glove, the faceted crystal stopper from
some vial of vanished perfume, an armless doll with a face of
French porcelain, a fat, gold-fitted black fountain pen, rec-
tangular segments of perf board, the crumpled red and green
snake of a silk cravat . . . Endless, the slow swarm, the
spinning things .
Jones tumbled up through the silent storm, laughing, grab-
bing an arm tipped with a glue gun. "Always makes me want
to laugh, to see it. But the boxes always make me sad .
"Yes," she said, "they make me sad, too. But there are
sadnesses and sadnesses .
"Quite right." He grinned. "No way to make it go, though.
Guess the spirit has to move it, or anyway that's how old Wig
has it. He used to come out here a lot I think the voices are
stronger for him here. But lately they've been talking to him
wherever, it seems like . .
She looked at him through the thicket of manipulators. He
was very dirty, very young, with his wide blue eyes under a
tangle of brown curls. He wore a stained gray zipsuit, its
collar shiny with grime. "You must be mad," she said with
something like admiration in her voice, "you must be totally
mad, to stay here . .
He laughed. "Wigan's madder than a sack of bugs. Not
me.
She smiled. "No, you're crazy I'm crazy, too
"Hello then," he said, looking past her. "What's this?
One of Wig's sermons, looks like, and no way we can shut it
off without me cutting the power . .
She turned her head and saw diagonals of color strobe
across the rectangular face of a large screen glued crookedly
to the curve of the dome The screen was occluded, for a
second, by the passage of a dressmaker's dummy, and then
the face of Josef Virek filled it, his soft blue eyes glittering
behind round lenses.
"Hello, Marly," he said. "I can't see you, but I'm sure I
know where you are
"That's one of Wig's sermon screens," Jones said, rub-
bing his face. "Put `em up all over the Place, `cause he
figured one day he'd have people up here to preach to. This
geezer's linked in through Wig's communication gear, I guess.
Who is he?"
"Virek," she said.
"Thought he was older. .
"It's a generated image," she said. "Ray tracing, texture
mapping She stared as the face smiled out at her from
the curve of the dome, beyond the slow-motion hurricane of
lost things, minor artifacts of countless lives, tools and toys
and gilded buttons.
"I want you to know," the image said, "that you have
fulfilled your contract. My psychoprofile of Marly Krushkhova
predicted your response to my gestalt. Broader profiles indi-
cated that your presence in Paris would force Maas to play
their hand. Soon, Marly, I will know exactly what it is that
you have found. For four years I've known something that
Maas didn't know. I've known that Mitchell, the man Mans
and the world regards as the inventor of the new biochip
processes, was being fed the concepts that resulted in his
breakthroughs. I added you to an intricate array of factors,
Marly, and things came to a most satisfying head. Mans,
without understanding what they were doing, surrendered the
location of the conceptual source. And you have reached it.
Paco will be arriving shortly . .
"You said you wouldn't follow," she said. "I knew you
lied..."
"And now, Marly, at last I think I shall be free. Free of the
four hundred kilograms of rioting cells they wall away behind
surgical steel in a Stockholm industrial park. Free, eventu-
ally, to inhabit any number of real bodies, Marly Forever."
"Shit," Jones said, "this one's as bad as Wig. What's he
think he's talking about?"
"About his jump," she said, remembering her talk with
Andrea, the smell of cooking prawns in the cramped little
kitchen. "The next stage of his evolution
"You understand it?"
"No," she said, "but I know that it will be bad, very bad
.." She shook her head.
`Convince the inhabitants of the cores to admit Paco and
his crew, Marly," Virek said. "I purchased the cores an hour
before you departed Orly, from a contractor in Pakistan. A
bargain, Marly, a great bargain. Paco will oversee my inter-
ests, as usual."
And then the screen was dark.
"Here now," Jones said, pivoting around a folded manip-
ulator and taking her hand, "what's so bad about all that? He
owns it now, and he said you'd done your bit . . . I don't
know what old Wig's good for, except to listen to the voices,
but he's not long for this side anyway Me, I'm as easy for
Outasnot. .
"You don't understand," she said. "You can't He's found
his way to something, something he's sought for years. But
nothing he wants can be good. For anyone ye seen
him, I've felt it . .
And then the steel arm she held vibrated and began to
move, the whole turret rotating with a muted hum of servos

TURNER STARED AT Conroy's face on the screen of the office
phone. "Go on," he said to Angie. "You go with her " The
tall black girl with the resistors woven into her hair stepped
forward and gently put her arm around Mitchell's daughter,
crooning something in that same click-infested creole. The
kid in the T-shirt was still gaping at her, his jaw slack.
"Come on, Bobby," the black girl said. Turner glanced
across the desk at the man with the wounded hand, who wore
a wrinkled white evening jacket and a bob tie with thongs of
braided black leather. Jammer, Turner decided, the club owner.
Jammer cradled his hand in his lap, on a blue-striped towel
from the bar He had a long face, the kind of beard that
needed constant shaving, and the hard, narrow eyes of a stone
professional. As their eyes met, Turner realized that the man
sat well out of the line of the phone's camera, his swivel chair
pushed back into a corner.
The kid in the T-shirt, Bobby, shuffled out behind Angie
and the black girl. his mouth still open.
"You could've saved us both a lot of hassle, Turner,"
Conroy said. "You could've called me. You could've called
your agent in Geneva"
"How about Hosaka," Turner said, "could I have called
them?"
Conroy shook his head, slowly.
"Who are you working for, Conroy? You went double on
this one, didn't you?"
"But not on you, Turner. If it had gone down the way I
planned it, you'd have been in Bogota, with Mitchell The
railgun couldn't fire until the jet was out, and if we cut it
right, Hosaka would have figured Mans took the whole sector
out to stop Mitchell But Mitchell didn't make it, did he,
Turner?"
"He never planned to," Turner said
Conroy nodded. "Yeah. And the security on the mesa
picked up the girl, going out. That's her, isn't it, Mitchell's
daughter.
Turner was silent.
"Sure," Conroy said, "figures .
"I killed Lynch," Turner said, to steer the subject away
from Angie. "But just before the hammer came down, Webber
told me she was working for you .
"They both were," Conroy said, ~`but neither one knew
about the other." He shrugged.
"What for?"
Conroy smiled. "Because you'd have missed `em if they
weren't there, wouldn't you? Because you know my style,
and if I hadn't been flying all my usual colors, you'd have

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   Friday 21 November, 2008