Count Zero

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Book by William Gibson - Count Zero, page 44

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started to wonder. And I knew you'd never sell out. Mr
Instant Loyalty, right? Mr. Bushido. You were bankable,
Turner. Hosaka knew that. That's why they insisted I bring
youin. .
"You haven't answered my first question, Conroy. Who
did you go double for?"
"A man named Virek," Conroy said. "The moneyman
That's right, same one. He'd been trying to buy Mitchell for
years. For that matter, he'd been trying to buy Maas No go.
They re getting so rich, he couldn't touch them. There was a
standing offer for Mitchell making the rounds. A blind offer.
When Hosaka heard from Mitchell and called me in, I de-
cided to check that offer out. Just out of curiosity. But before
I could, Virek's team was on me. It wasn't a hard deal to cut,
Turner, believe me."
"I believe you."
"But Mitchell fucked us all over, didn't he, Turner? Good
and solid."
"So they killed him."
"He killed himself," Conroy said, "according to Virek's
moles on the mesa. As soon as he saw the kid off in that
ultralight. Cut his throat with a scalpel."
"Lot of dead people around, Conroy," Turner said
"Oakey's dead, and the Jap who was flying that copter for
you."
"Figured that when they didn't come back," Conroy
shrugged.
"They were trying to kill us," Turner said.
"No, man, they just wanted to talk . . . Anyway, we
didn't know about the girl then We just knew you were gone
and that the damn jet hadn't made it to the strip in Bogoti
We didn't start thinking about the girl until we took a look at
your brother's farm and found the jet. Your brother wouldn't
tell Oakey anything Pissed off `cause Oakey burned his
dogs. Qakey said is looked like a woman had been living
there, too, but she didn't turn up . .
"What about Rudy?"
Conroy's face was a perfect blank. Then he said, "Qakey
got what he needed off the monitors. Then we knew about the
girl."
Turner's back was aching. The holster strap was cutting
into his chest. I don't feel anything, he thought, I don't feel
anything at all
"I've got a question for you, Turner. I've got a couple.
But the main one is, what the flick are you doing in there?"
"Heard it was a hot club, Conroy."
"Yeah. Real exclusive. So exclusive, you had to break up
two of my doormen to get in. They knew you were coming,
Turner, the spades and that punk. Why else would they let
you in?"
"You'll have to work that one out, Connie. You seem to
have a lot of access, these days
Conroy leaned closer to his phone's camera. "You bet
your ass Virek's had people all over the Sprawl for months,
feeling out a rumor, cowboy gossip that there was an experi-
mental biosoft floating around. Finally his people focused on
the Finn, but another team, a Maas team, turned up, obvi-
ously after the same thing. So Virek's team just kicked back
and watched the Maas boys, and the Maas boys started
blowing people away. So Virek's team picked up on the
spades and little Bobby and the whole thing. They laid it all
out for me when I told `em I figured you'd headed this way
from Rudy's. When I saw where they were headed, I hired
some muscle to ice `em in there, until I could get somebody I
could trust to go in after them . .
"Those dusters out there?" Turner smiled. "You just
dropped the ball, Connie. You can't go anywhere for profes-
sional help, can you? Somebody's twigged that you doubled,
and a lot of pros died, out there. So you're hiring shitheads
with funny haircuts. The pros have all heard you've got
Hosaka after your ass, haven't they, Connie? And they all
know what you did." Turner was grinning now; out of the
corner of his eye, he saw that the man in the dinner jacket
was smiling, too, a thin smile with lots of neat small teeth,
like white grains of corn
"It's that bitch Slide," Conroy said. "I could've taken her
out on the rig . . . She punched her way in somewhere and
started asking questions. I don't even think she's really on to
it, yet, but she's been making sounds in certain circles
Anyway, yeah, you got the picture. But it doesn't help your
ass any, not now. Virek wants the girl. He's pulled his people
off the other thing and now I'm running things for him.
Money, Turner, money like a zaibatsu'.
Turner stared at the face, remembering Conroy in the bar
of a jungle hotel. Remembering him later, in Los Angeles,
making his pass, explaining the covert economics of corpo-
rate defection Hi, Connie," Turner said, "I know you,
don't I?"
Conroy smiled. "Sure, baby."
"And I know the offer. Already. You want the girl
"That's right."
"And the split, Connie. You know I only work fifty-fifty,
right?"
"Hey," Conroy said, "this is the big one I wouldn't have
it any other way."
Turner stared at the man's image.
"Well," Conroy said, still smiling, "what do you say?"
And Jammer reached out and pulled the phone's line from
the wall plug. "Timing," he said. "Timing's always impor-
tant." He let the plug drop. "If you'd told him, he'd have
ni.ved right away. This way buys us time. He'll try to get
back, try to figure what happened."
"How do you know what I was going to say?"
"Because I seen people. I seen a lot of them, too fucking
many. Particularly I seen a lot like you. You got it written
across your face, mister, and you were gonna tell him he
could eat shit and die " Jammer hunched his way up in the
office chair, grimacing as his hand moved inside the bar
towel. "Who's this Slide he was talking about? A jockey?"

"Jaylene Slide. Los Angeles. Top gun."
"She was the one hijacked Bobby," jammer said. "So
she's damn close to your pal on the phone

"She probably doesn't know it, though."
"Let's see what we can do about that. Get the boy back in
here."



"I'D BElTER FiND old Wig," he said
She was watching the manipulators: hypnotized by the way
they moved; as they picked through the swirl of things, they
also caused it, grasping and rejecting, the rejected objects
whirling away, striking others, drifting into new alignments.
The process stined them gently, slowly, perpetually.
"I'd better," he said.
"What?"
"Go find Wig. He might get up to something, if your
bossman's people turn up. Don't want him to hurt himself,
y'know." He looked sheepish, vaguely embarrassed.
"Fine," she said. "I'm fine, I'll watch " She remembered
the Wig's mad eyes. the craziness she'd felt roll off him in
waves; she remembered the ugly cunning she'd sensed in his
voice, over the Sweet Jane's radio. Why would Jones show
this kind of concern? But then she thought about what it
would be like, living in the Place, the dead cores of Tessier-
Ashpool. Anything human, anything alive, might come to
seem quite precious, here "You're right," she said "Go
and find him."
The boy smiled nervously and kicked off, tumbling for the
opening where the line was anchored. "I'll come back for
you," he said. "Remember where we left your suit . .
The turret swung back and forth, humming, the manip-
ulators darting, finishing the new poem.
* * *
She was never certain, afterward, that the voices were real,
but eventually she came to feel that they had been a part of
one of those situations in which real becomes merely another
concept.
She'd taken off her jacket, because the air in the dome
seemed to have grown warmer, as though the ceaseless move-
ment of the arms generated heat. She'd anchored the jacket
and her purse on a strut beside the sermon screen. The box
was nearly finished now, she thought, although it moved so
quickly, in the padded claws, that it was difficult to see
Abruptly, it floated free, tumbling end over end, and she
sprang for it instinctively, caught it, and went tumbling past
the flashing arms, her treasure in her arms. Unable to slow
herself, she struck the far side of the dome, bruising her
shoulder and tearing her blouse. Drifting, stunned, she cra-
dIed the box. staring through the rectangle of glass at an
arrangement of brown old maps and tarnished mirror. The
seas of the cartographers had been cut away, exposing the
flaking mirrors, landmasses afloat on dirty silver . . . She
looked up in time to see a glittering arm snag the floating
sleeve of her Brussels jacket. Her purse, half a meter behind
it and tumbling gracefully, went next, hooked by a manipula-
tor tipped with an optic sensor and a simple claw.
She watched as her things were drawn into the ceaseless
dance of the arms. Minutes later, the jacket came whirling out
again. Neat squares and rectangles seemed to have been cut
away, and she found herself laughing. She released the box
she held. "Go ahead," she said. "I am honored." The arms
whirled and flashed, and she heard the whine of a tiny saw.
I am honored I am honored I am honoredEcho of her
voice in the dome setting up a shifting forest of smaller,
partial sounds, and behind them, very faint. . . Voices
"You're here, aren't you?" she called, adding to the ring
of sound, ripples and reflections of her fragmented voice.
Yes, I am here.
"Wigan would say you've always been here, wouldn't
he?"
Yes, but it isn't true. I came to be, here. Once I was not.
Once, for a brilliant time, time without duration, I was every-
where as well . . . But the bright time broke. The mirror was
flawed. Now I am only one. . . But I have my song, and you
have heard it. I sing with these things that float around me,
fragments of the family that funded my birth. There are
others, but they will not speak to me. Vain, the scattered
fragments of myself, like children Like men. They send me
new things, but I prefer the old things. Perhaps I do their
bidding. They plot with men, my other selves, and men
imagine they are gods
"You are the thing that Virek seeks, aren't you?"
No. He imagines that he can translate himself, code his
personality into my fabric. He yearns to be what I once was.
What he might become most resembles the least of my broken
selves
"Are youare you sad?"

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   Friday 21 November, 2008