Count Zero

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Book by William Gibson - Count Zero, page 45

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No.
"But youryour songs are sad."
My songs are of time and distance. The sadness is in
you. Watch my arms. There is only the dance. These things
you treasure are shells.
"II knew that. Once."
But now the sounds were sounds only, no forest of voices
behind them to speak as one voice, and she watched the
perfect globes of her tears spin out to join forgotten human
memories in the dome of the boxmaker.

"I understand," she said, sometime later, knowing that she
spoke now for the comfort of hearing her own voice. She
spoke quietly, unwilling to wake that bounce and ripple of
sound. "You are someone else's collage. Your maker is the
true artist. Was it the mad daughter? It doesn't matter. Some-
one brought the machine here, welded it to the dome, and
wired it to the traces of memory. And spilled, somehow, all
the worn sad evidence of a family's humanity, and left it all
to be stirred, to be sorted by a poet. To be sealed away in
boxes. I know of no more extraordinary work than this. No
more complex gesture A silver-fitted tortoise comb
with broken teeth drifted past. She caught it like a fish and
dragged the teeth through her hair.
Across the dome, the screen lit, pulsed, and filled with Paco's
face. "The old man refuses to admit us, Marly," the Spaniard
said. "The other, the vagabond, has hidden him. Seijor is most
anxious that we enter the cores and secure his property. If you
can't convince Ludgate and the other to open their lock, we will
be forced to open it ourselves, depressurizing the entire struc-
hire." He glanced away from the camera, as though consulting
an instrument or a member of his crew. "You have one hour."

Bonny FOLLOWED JACKIE and the brown-haired girl out of the
office. It felt like he'd been in Jammer's for a month and he'd
never get the taste of the place out of his mouth. The stupid
little recessed spots staring down from the black ceiling, the
fat ultrasuede seats, the round black tables, the carved wooden
screens . . Beauvoir was sitting on the bar with the detona-
tor beside him and the South African gun across his gray
sharkskin lap.
"How come you let `em in?" Bobby asked when Jackie
had led the girl to a table.
"Jackie." Beauvoir said, "she tranced while you were
iced. Legba. Told us the Virgin was on her way up with this
guy."
"Who is he?"
Beauvoir shrugged. "A merc, he looks like. Soldier for the
zaibatsus. Jumped-up street samurai. What happened to you
when you were iced?"
He told him about Jaylene Slide.
"L.A ," Beauvoir said. "She'll drill through diamond to
get the man who fried her daddy, but a brother needs help,
forget it."
"I'm not a brother."
"I think you got something there."
"So I don't get to try to get to the Yakuza?"
"What's Jammer say?"
"Dick He's in there now, watchin' your merc take a
call."
"A call? Who?"
"Some white guy with a bleach job. Mean-looking."
Beauvoir looked at Bobby, looked at the door, looked
back. "Legba says sit tight and watch. This is getting random
enough already, the Sons of the Neon Chrysanthemum aside."
"Beauvoir," Bobby said, keeping his voice down, "that
girl, she's the one, the one in the matrix, when I tried to run
that"
He nodded, his plastic frames sliding down his nose. "The
Virgin."
"But what's happening? I mean"
"Bobby, my advice to you is just take it like it comes.
She's one thing to me, maybe something different to Jackie.
To you, she's just a scared kid. Go easy. Don't upset her.
She's a long way from home, and we're still a long way from
getting out of here"
"Okay Bobby looked at ifie floor. "I'm sorry about
Lucas, man. He washe was a dude."
"Go talk to Jackie and the girl." Beauvoir said "I'm
watching the door."
"Okay."
He crossed the nightclub carpet to where Jackie sat with the
girl. She didn't look like much, and there was only a small
part of him that said she was the one. She didn't look up, and
he could see that she'd been crying.
"I got grabbed," he said to Jackie "You were flat gone."
"So were you," the dancer said. "Then Legba came to
me..."
"Newmark," the man called Turner said, from the door to
Jammer's office, "we want to talk to you."
"Gotta go," he said, wishing the girl would look up, see
the big dude asking for him. "They want me."
Jackie squeezed his wrist.

"Forget the Yakuza," Jammer said. "This is more compli-
cated. You're going into the L.A grid and locking into a top
jock's desk. When Slide grabbed you, she didn't know my
desk sussed her number."
"She said your deck oughta be in a museum."
"Shit she knows," Jammer said "I know where she lives,
don't I?" He took a hit from his inhaler and put it back on the
deck. "Your problem is, she's written you off. She doesn't
wanna hear from you. You gotta get into her and tell her what
she wants to know."
"What's that?"
`That it was a man named Conroy got her boyfriend
offed," the tall man said, sprawled back in one of Jammer's
office chairs with the huge pistol on his lap. "Conroy Tell
her it was Conroy. Conroy hired those bighairs outside~"
"I'd rather try the Yak," Bobby said.
"No," Jammer said, "this Slide, she'll be on his ass first.
The Yak'll measure my favor, check the whole thing out first.
Besides, I thought you were all hot to learn deck."
"I'll go with him," Jackie said, from the door.

They jacked.
She died almost immediately, in the first eight seconds.
He felt it, rode it out to the edge and almost knew it for
what it was. He was screaming, spinning, sucked up through
the glacial white funnel that had been waiting for them
The scale of the thing was impossible, too vast, as though
the kind of cybernetic megastructure that represented the
whole of a multinational had brought its entire weight to bear
on Bobby Newmark and a dancer called Jackie. Impossible.
But somewhere, on the fringe of consciousness, Just as he
lost it, there was something . . . Something plucking at his
sleeve
He lay on his face on something rough. Opened his eyes. A
walk made of round stones, wet with rain. He scrambled up,
reeling, and saw the hazy panorama of a strange city, with the
sea beyond it. Spires there, a sort of church, mad ribs and
spirals of dressed stone . . He turned and saw a huge lizard
slithering down an incline, toward him, its jaws wide. He
blinked. The lizard's teeth were green-stained ceramic, a slow
drool of water lapping over its blue mosaic china lip. The
thing was a fountain, its flanks plastered with thousands of
fragments of shattered china. He spun around, crazy with the
nearness of her death. Ice, ice, and a part of him knew then
exactly how close he'd really come, in his mother's living
room.
There were weird curving benches, covered with the same
giddy patchwork of broken china, and trees, grass . A
park.
"Extraordinary." someone said. A man, rising from his
seat on one of the serpentine benches. He had a neat brush of
gray hair, a tanned face, and round, rimless glasses that
magnified his blue eyes. "You came straight through, didn't
you?"
"What is this? Where am I?"
"Giiell Park. after a fashion. Barcelona, if you like
"You killed Jackie."
The man frowned. "I see. I think I see Still, you shouldn't
be here. An accident."
"Accident? You killed Jackie!"
"My systems are overextended today," the man said, his
hands in the pockets of a loose tan overcoat. "This is really
quite extraordinary .
"You can't do that shit," Bobby said, his vision swim-
ming in tears. "You can't. You can't kill somebody who was
just there .
"Just where?" The man took off his glasses and began to
polish them with a spotless white l~andkerchief he took from
the pocket of his coat.
"Just alive," Bobby said, taking a.step forward
The man put his glasses back on. "This has never hap-
pened before."
"You can't." Closer now.
"This is becoming tedious, Paco!"
"Seiior."
Bobby turned at the sound of the child's voice and saw a
little boy in a strange stiff suit, with black leather boots
that
fastened with buttons.
"Remove him."
"Sefior," the boy said, and bowed stiffly, taking a tiny
blue Browning automatic from his dark suit coat. Bobby
looked into the dark eyes beneath the glossy forelock and saw
a look no child had ever worn. The boy extended the gun,
aiming it at Bobby.
"Who are you?" Bobby ignored the gun, but didn't try to
get any closer to the man in the overcoat.
The man peered at him. "Virek. Josef Virek. Most people,
I gather, are familiar with my face."
"Are you on People of Importance or something?"
The man blinked, frowning. "I don't know what you're
talking about. Paco, what is this person doing here?"
"An accidental spillover," the child said, his voice light
and beautiful. "We've engaged the bulk of our system via
New York, in an attempt to prevent Angela Mitchell's es-
cape. This one tried to enter the matrix, along with another
operator, and encountered our system. We're still attempting
to determine how he breached our defenses. You are in no
danger." The muzzle of the little Browning was absolutely
steady.
And then the sensation of something plucking at his sleeve.
Not his sleeve, exactly, but part of his mind, something
"Sefior," the child said, "we are experiencing anomalous
phenomena in the matrix, possibly as a result of our own
current overextension. We strongly suggest that you allow us
to sever your links with the construct until we are able to

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   Friday 21 November, 2008