Gorgias

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Book by Plato - Gorgias, page 15

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rhetorician might make a bad use of rhetoric I noted with surprise the
inconsistency into which you had fallen; and I said, that if you thought,
as I did, that there was a gain in being refuted, there would be an
advantage in going on with the question, but if not, I would leave off.
And in the course of our investigations, as you will see yourself, the
rhetorician has been acknowledged to be incapable of making an unjust use
of rhetoric, or of willingness to do injustice. By the dog, Gorgias, there
will be a great deal of discussion, before we get at the truth of all this.

POLUS: And do even you, Socrates, seriously believe what you are now
saying about rhetoric? What! because Gorgias was ashamed to deny that the
rhetorician knew the just and the honourable and the good, and admitted
that to any one who came to him ignorant of them he could teach them, and
then out of this admission there arose a contradiction--the thing which you
dearly love, and to which not he, but you, brought the argument by your
captious questions--(do you seriously believe that there is any truth in
all this?) For will any one ever acknowledge that he does not know, or
cannot teach, the nature of justice? The truth is, that there is great
want of manners in bringing the argument to such a pass.

SOCRATES: Illustrious Polus, the reason why we provide ourselves with
friends and children is, that when we get old and stumble, a younger
generation may be at hand to set us on our legs again in our words and in
our actions: and now, if I and Gorgias are stumbling, here are you who
should raise us up; and I for my part engage to retract any error into
which you may think that I have fallen-upon one condition:

POLUS: What condition?

SOCRATES: That you contract, Polus, the prolixity of speech in which you
indulged at first.

POLUS: What! do you mean that I may not use as many words as I please?

SOCRATES: Only to think, my friend, that having come on a visit to Athens,
which is the most free-spoken state in Hellas, you when you got there, and
you alone, should be deprived of the power of speech--that would be hard
indeed. But then consider my case:--shall not I be very hardly used, if,
when you are making a long oration, and refusing to answer what you are
asked, I am compelled to stay and listen to you, and may not go away? I
say rather, if you have a real interest in the argument, or, to repeat my
former expression, have any desire to set it on its legs, take back any
statement which you please; and in your turn ask and answer, like myself
and Gorgias--refute and be refuted: for I suppose that you would claim to
know what Gorgias knows--would you not?

POLUS: Yes.

SOCRATES: And you, like him, invite any one to ask you about anything
which he pleases, and you will know how to answer him?

POLUS: To be sure.

SOCRATES: And now, which will you do, ask or answer?

POLUS: I will ask; and do you answer me, Socrates, the same question which
Gorgias, as you suppose, is unable to answer: What is rhetoric?

SOCRATES: Do you mean what sort of an art?

POLUS: Yes.

SOCRATES: To say the truth, Polus, it is not an art at all, in my opinion.

POLUS: Then what, in your opinion, is rhetoric?

SOCRATES: A thing which, as I was lately reading in a book of yours, you
say that you have made an art.

POLUS: What thing?

SOCRATES: I should say a sort of experience.

POLUS: Does rhetoric seem to you to be an experience?

SOCRATES: That is my view, but you may be of another mind.

POLUS: An experience in what?

SOCRATES: An experience in producing a sort of delight and gratification.

POLUS: And if able to gratify others, must not rhetoric be a fine thing?

SOCRATES: What are you saying, Polus? Why do you ask me whether rhetoric
is a fine thing or not, when I have not as yet told you what rhetoric is?

POLUS: Did I not hear you say that rhetoric was a sort of experience?

SOCRATES: Will you, who are so desirous to gratify others, afford a slight
gratification to me?

POLUS: I will.

SOCRATES: Will you ask me, what sort of an art is cookery?

POLUS: What sort of an art is cookery?

SOCRATES: Not an art at all, Polus.

POLUS: What then?

SOCRATES: I should say an experience.

POLUS: In what? I wish that you would explain to me.

SOCRATES: An experience in producing a sort of delight and gratification,
Polus.

POLUS: Then are cookery and rhetoric the same?

SOCRATES: No, they are only different parts of the same profession.

POLUS: Of what profession?

SOCRATES: I am afraid that the truth may seem discourteous; and I hesitate
to answer, lest Gorgias should imagine that I am making fun of his own
profession. For whether or no this is that art of rhetoric which Gorgias
practises I really cannot tell:--from what he was just now saying, nothing
appeared of what he thought of his art, but the rhetoric which I mean is a
part of a not very creditable whole.

GORGIAS: A part of what, Socrates? Say what you mean, and never mind me.

SOCRATES: In my opinion then, Gorgias, the whole of which rhetoric is a
part is not an art at all, but the habit of a bold and ready wit, which
knows how to manage mankind: this habit I sum up under the word
'flattery'; and it appears to me to have many other parts, one of which is
cookery, which may seem to be an art, but, as I maintain, is only an
experience or routine and not an art:--another part is rhetoric, and the
art of attiring and sophistry are two others: thus there are four
branches, and four different things answering to them. And Polus may ask,
if he likes, for he has not as yet been informed, what part of flattery is
rhetoric: he did not see that I had not yet answered him when he proceeded
to ask a further question: Whether I do not think rhetoric a fine thing?
But I shall not tell him whether rhetoric is a fine thing or not, until I
have first answered, 'What is rhetoric?' For that would not be right,
Polus; but I shall be happy to answer, if you will ask me, What part of
flattery is rhetoric?

POLUS: I will ask and do you answer? What part of flattery is rhetoric?

SOCRATES: Will you understand my answer? Rhetoric, according to my view,
is the ghost or counterfeit of a part of politics.

POLUS: And noble or ignoble?

SOCRATES: Ignoble, I should say, if I am compelled to answer, for I call
what is bad ignoble: though I doubt whether you understand what I was
saying before.

GORGIAS: Indeed, Socrates, I cannot say that I understand myself.

SOCRATES: I do not wonder, Gorgias; for I have not as yet explained
myself, and our friend Polus, colt by name and colt by nature, is apt to
run away. (This is an untranslatable play on the name 'Polus,' which means
'a colt.')

GORGIAS: Never mind him, but explain to me what you mean by saying that
rhetoric is the counterfeit of a part of politics.

SOCRATES: I will try, then, to explain my notion of rhetoric, and if I am
mistaken, my friend Polus shall refute me. We may assume the existence of
bodies and of souls?

GORGIAS: Of course.

SOCRATES: You would further admit that there is a good condition of either
of them?

GORGIAS: Yes.

SOCRATES: Which condition may not be really good, but good only in
appearance? I mean to say, that there are many persons who appear to be in
good health, and whom only a physician or trainer will discern at first
sight not to be in good health.

GORGIAS: True.

SOCRATES: And this applies not only to the body, but also to the soul: in
either there may be that which gives the appearance of health and not the
reality?

GORGIAS: Yes, certainly.

SOCRATES: And now I will endeavour to explain to you more clearly what I
mean: The soul and body being two, have two arts corresponding to them:
there is the art of politics attending on the soul; and another art
attending on the body, of which I know no single name, but which may be
described as having two divisions, one of them gymnastic, and the other
medicine. And in politics there is a legislative part, which answers to
gymnastic, as justice does to medicine; and the two parts run into one
another, justice having to do with the same subject as legislation, and
medicine with the same subject as gymnastic, but with a difference. Now,
seeing that there are these four arts, two attending on the body and two on
the soul for their highest good; flattery knowing, or rather guessing their
natures, has distributed herself into four shams or simulations of them;
she puts on the likeness of some one or other of them, and pretends to be
that which she simulates, and having no regard for men's highest interests,
is ever making pleasure the bait of the unwary, and deceiving them into the
belief that she is of the highest value to them. Cookery simulates the

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